by Eliot · Cluster: Christianity · Faith and Doubt · Doubt
Abstract
Dense satiric quatrain poem on theological pedantry, sterile presbyters and Sweeney in his bath; satire of the church, the flesh-spirit split and learned irony.
Connections
Themes & Concepts: Satire of Society, Faith and Doubt Forms & Genres: Satire Historical References: Christianity, Bible Characters: Christ
Testo integrale / Full text
Mr. Eliot’s Sunday Morning Service
Look, look, master, here comes two religious caterpillars.
The Jew of Malta.
Polyphiloprogenitive
The sapient sutlers of the Lord
Drift across the window-panes.
In the beginning was the Word.
In the beginning was the Word.
Superfetation of
And at the mensual turn of time
Produced enervate Origen.
A painter of the Umbrian school
Designed upon a gesso ground
The nimbus of the Baptized God.
The wilderness is cracked and browned
But through the water pale and thin
Still shine the unoffending feet
And there above the painter set
The Father and the Paraclete.
… . .
The sable presbyters approach
The avenue of penitence;
The young are red and pustular
Clutching piaculative pence.
Under the penitential gates
Sustained by staring Seraphim
Where the souls of the devout
Burn invisible and dim.
Along the garden-wall the bees
With hairy bellies pass between
The staminate and pistillate.
Blest office of the epicene.
Sweeney shifts from ham to ham
Stirring the water in his bath.
The masters of the subtle schools
Are controversial, polymath.
Sweeney Among the Nightingales
Apeneck Sweeney spreads his knees
Letting his arms hang down to laugh,
The zebra stripes along his jaw
Swelling to maculate giraffe.
The circles of the stormy moon
Slide westward toward the River Plate,
Death and the Raven drift above
And Sweeney guards the hornèd gate.
Gloomy Orion and the Dog
Are veiled; and hushed the shrunken seas;
The person in the Spanish cape
Tries to sit on Sweeney’s knees
Slips and pulls the table cloth
Overturns a coffee-cup,
Reorganised upon the floor
She yawns and draws a stocking up;
The silent man in mocha brown
Sprawls at the window-sill and gapes;
The waiter brings in oranges
Bananas figs and hothouse grapes;
The silent vertebrate in brown
Contracts and concentrates, withdraws;
Rachel née Rabinovitch
Tears at the grapes with murderous paws;
She and the lady in the cape
Are suspect, thought to be in league;
Therefore the man with heavy eyes
Declines the gambit, shows fatigue,
Leaves the room and reappears
Outside the window, leaning in,
Branches of wistaria
Circumscribe a golden grin;
The host with someone indistinct
Converses at the door apart,
The nightingales are singing near
The Convent of the Sacred Heart,
And sang within the bloody wood
When Agamemnon cried aloud
And let their liquid siftings fall
To stain the stiff dishonoured shroud.