by Eliot · Cluster: Greek Mythology · Lust Sexual Desire · Desire

Abstract

Quatrain poem of the brutish Sweeney shaving while an epileptic woman convulses in a brothel; the grotesque, debased sexuality, the body and a mock-classical frame.

Connections

Archetypes: Antihero Motifs: Madness (2), Sea Themes & Concepts: Grotesque, Lust Sexual Desire Historical References: Greek Mythology Characters: Sweeney

Testo integrale / Full text

Sweeney Erect
And the trees about me,
Let them be dry and leafless; let the rocks
Groan with continual surges; and behind me
Make all a desolation. Look, look, wenches!

Paint me a cavernous waste shore
    Cast in the unstilled Cyclades,
Paint me the bold anfractuous rocks
    Faced by the snarled and yelping seas.
Display me Aeolus above
    Reviewing the insurgent gales
Which tangle Ariadne’s hair
    And swell with haste the perjured sails.
Morning stirs the feet and hands
    (Nausicaa and Polypheme).
Gesture of orang-outang
    Rises from the sheets in steam.
This withered root of knots of hair
    Slitted below and gashed with eyes,
This oval O cropped out with teeth:
    The sickle motion from the thighs
Jackknifes upward at the knees
    Then straightens out from heel to hip
Pushing the framework of the bed
    And clawing at the pillow slip.
Sweeney addressed full length to shave
    Broadbottomed, pink from nape to base,
Knows the female temperament
    And wipes the suds around his face.
(The lengthened shadow of a man
    Is history, said Emerson
Who had not seen the silhouette
    Of Sweeney straddled in the sun.)
Tests the razor on his leg
    Waiting until the shriek subsides.
The epileptic on the bed
    Curves backward, clutching at her sides.
The ladies of the corridor
    Find themselves involved, disgraced,
Call witness to their principles
    And deprecate the lack of taste
Observing that hysteria
    Might easily be misunderstood;
Mrs. Turner intimates
    It does the house no sort of good.
But Doris, towelled from the bath,
    Enters padding on broad feet,
Bringing sal volatile
    And a glass of brandy neat.

A Cooking Egg
En l’an trentiesme de mon aage
Que toutes mes hontes j’ay beues …

Pipit sate upright in her chair
    Some distance from where I was sitting;
Views of Oxford Colleges
    Lay on the table, with the knitting.
Daguerreotypes and silhouettes,
    Her grandfather and great great aunts,
Supported on the mantelpiece
    An Invitation to the Dance.

                 …    .    .
I shall not want Honour in Heaven
    For I shall meet Sir Philip Sidney
And have talk with Coriolanus
    And other heroes of that kidney.
I shall not want Capital in Heaven
    For I shall meet Sir Alfred Mond.
We two shall lie together, lapt
    In a five per cent. Exchequer Bond.
I shall not want Society in Heaven,
    Lucretia Borgia shall be my Bride;
Her anecdotes will be more amusing
    Than Pipit’s experience could provide.
I shall not want Pipit in Heaven:
    Madame Blavatsky will instruct me
In the Seven Sacred Trances;
    Piccarda de Donati will conduct me.
                 …    .    .
But where is the penny world I bought
    To eat with Pipit behind the screen?
The red-eyed scavengers are creeping
    From Kentish Town and Golder’s Green;
Where are the eagles and the trumpets?
    Buried beneath some snow-deep Alps.
Over buttered scones and crumpets
    Weeping, weeping multitudes
Droop in a hundred A.B.C.’s.