Sword

THE SWORD OF WOOD [1928]

DOWN in the little village of Grayling-Abbot, in Somerset, men did not know that the world we live in had begun. They did not know that all we have come to call ‘modern’ had silently entered England, and changed the air of it. Well, they did not know it very clearly even in London: though one or two shrewd men like my Lord Clarendon, and perhaps Prince Rupert, with his chemicals and his sad eyes, may have had a glimmer of it.

On the contrary, by the theory of the thing, the old world had returned. Christmas could be kept again; the terrible army was disbanded; the swarthy young man with the sour, humorous face, who had been cheered from Dover to Whitehall, brought back in him the blood of kings. Every one was saying (especially in Grayling-Abbot) that now it would be Merry England again. But the swarthy young man knew better. The Merry Monarch knew he was not meant to make Merry England. If he treated his own life as a comedy, it was for a philosophical reason; because comedy is the only poetry of compromise. And he was a compromise; and he knew it. Therefore he turned, like Prince Rupert, to the chemicals; and played with the little toys that were to become the terrible engines of modern science. So he might have played with tiger-cubs, so long as they were as small as his spaniels.

But down in Grayling-Abbot it was much easier to believe that old England had been restored, because it had never, in any serious sense, been disturbed. The fierce religious quarrels of the seventeenth century had only stirred that rustic neighbourhood to occasional panics of witch-burning. And these, though much rarer in the medieval society, were not inconsistent with it. The squire, Sir Guy Griffin, was famous as a fighter quite in the medieval style. Though he had commanded a troop under Newcastle in the Civil Wars with conspicuous success, the local legend of his bodily prowess eclipsed any national chronicle of his military capacity. Through two or three counties round Grayling-Abbot, his reputation for swordsmanship had quite eclipsed his reputation for generalship. So, in the Middle Ages, it happened that Coeur-de-Lion’s hand could keep his head: it happened that Bruce’s hand could keep his head. And in both cases the head has suffered unfairly from the glorification of the hand.

The same almost unbroken medieval tradition even clung round the young schoolmaster, Dennis Tryon, who was just locking up his little school for the last time; having been transferred to a private post at Sir Guy’s own house, to teach Sir Guy’s six hulking sons, who had learned their father’s skill with the sword, and hitherto declined to learn anything else. In numberless and nameless ways, Tryon expressed the old traditions. He was not a Puritan, yet he wore black clothes because he might have been a priest. Though he had learned to fence and dance at College, like Milton, he was plainly dressed and weaponless; because the vague legend remained that a student was a sort of clerk, and a clerk was a sort of clergyman. He wore his brown hair long, like a Cavalier. But as it was his own hair, it was long and straight: while the Cavaliers were already beginning to wear other people’s hair, which was long and curly. In that strict brown frame, his face had the boyish, frank, rather round appearance that may be seen in old miniatures of Falkland or the Duke of Monmouth. His favourite authors were George Herbert and Sir Thomas Browne; and he was very young.

He was addressing a last word to a last pupil, who happened to be lingering outside the school—a minute boy of seven, playing with one of those wooden swords, made of two lengths of lath nailed across each other, which boys have played with in all centuries.

‘Jeremy Bunt,’ said Tryon, with a rather melancholy playfulness, ‘your sword is, as it seems to me, much an improvement on most we have lately looked on. I observe its end is something blunt; doubtless for that gallant reason that led Orlando to blunt his sword when fighting the lady, whose name, in the ingenious romance, escapes me. Let it suffice you, little one. It will kill the Giants, like Master Jack’s sword of sharpness, at least as well as the swords of a standing army ever will. If you be minded to save the Lady Angelica from the ogre, it will turn the dragon to stone as quick as any sword of steel would do. And, oh, Jeremy, if the fable be false, the moral is not false. If a little boy be good and brave, he should be great, and he may be. If he be bad and base, he should be beaten with a staff’— here Tryon tapped him very softly on the shoulders with a long black walking-cane that was commonly his only ferule—‘but in either way, to my thinking, your sword is as good as any other. Only, dear Jeremy’—and he bent over the child swiftly, with a sudden tenderness—‘always remember your kind of sword is stronger if one holds it by the wrong end.’

He reversed the little sword in the child’s hand, making it a wooden cross, and then went striding up the road like the wind, leaving the staring boy behind.

When he became conscious that human feet were following him, he knew they could not possibly be the feet of the boy. He looked round; and Jeremy was still hovering in the distance; but the rush of feet came from a far different cause.

A young lady was hurrying by close under the high hedge that was nearly as old as the Plantagenets. Her costume was like his own, in the sense that it had the quietude of the Puritan with the cut of the Cavalier. Her dress was as dark as Barebones could have asked; but the ringlets under her hood were yellow and curly, for the same reason that his own hair was brown and straight: because they were her own. Nothing else was notable about her, except that she was pretty and seemed rather in a hurry; and that her delicate profile was pointed resolutely up the road. The face was a little pale.

Tryon turned again to look back on his tracks; and this time saw another figure more formidable than Jeremy with the wooden sword.

A tall, swaggering figure, almost black against the sunlight, was coming down the road with a rapidity that almost amounted to a run. He had a wide hat with feathers, and long, luxuriant hair, in the latest London manner; but it was not any such feathers or flourishes that arrested Tryon’s attention. He had seen old Sir Guy Griffin, who still wore his wild, white hair half-way down his back, to show (very unnecessarily) that he was not a Puritan. He had seen Sir Guy stick in his hat the most startling cock’s feathers, but that was because he had no other feathers. But Tryon knew at a glance that Sir Guy would never have come forward in such extraordinary attitudes. The tall, fantastic man actually drew his sword as he rushed forward; and offered it like a lance to be splintered as from the end of a long tilting-yard. Such frolics may have happened a hundred times round the ‘Cock’ of Buckingham and Dorset. But it was an action utterly unknown to the gentry round Grayling-Abbot, when they settled affairs of honour.

While he was still looking up the road at the advancing figure, he found himself breathlessly addressed by the escaping girl.

‘You must not fight him,’ she said, ‘he has beaten everybody. He has beaten even Sir Guy, and all his sons.’ She cast her eyes about him and cried out in horror: ‘And where is your sword?’

‘With my spurs, mistress,’ replied the schoolmaster, in the best style of Ariosto. ‘I have to win them both.’

She looked at him rather wildly and said: ‘But he has never been beaten in swordsmanship.’

Tryon, with a smile, made a salute with his black walking-stick. ‘A man with no sword,’ he said, ‘can never be beaten in swordsmanship.’

The girl stood for one moment staring at him as if, even in that scene of scurry and chase, time were suspended for a flash. Then she seemed to leap again like a hunted thing and plunged on: and it was only some hundred yards higher up the road that she again halted, hesitated, and looked back. In much the same manner Master Jeremy Bunt, who had not the faintest intention of deserting the delightful school in which he was no longer required to do any work, actually ran forward. Perhaps their curiosity ought to be excused. For they were certainly looking at the most astounding duel the world had ever seen. It was the duel of the naked sword and the walking-stick: probably the only merely defensive battle ever fought on this earth.

The day was full of sun and wind, the two chief ingredients of a glorious day; but till that moment even Mr. Tryon, though of a pastoral and poetical turn, had not noticed anything specially splendid in the sky or landscape. Now the beauty of this world came upon him with the violence of a supernatural vision; for he was very certain it was a vision that he soon must lose. He was a good fencer with the foil in the Collegiate manner. But it was not to be expected that any human being could emerge victorious from a prolonged fight in which he had no means of retaliation; and especially as his opponent, whether from drink or devilry, was clearly fighting to the death. Tryon could not be certain that the wild creature even knew that his sword only struck against wood.

Dennis Tryon took in every glory of the good English land, and the still more glorious English climate, with the corner of his eye; he took it in with that same swift, indirect and casual, yet absolutely substantial way in which Nature is noticed in the old English poets that he loved. For the great poets of England, from Chaucer to Dryden, had a trick that has since been lost, the trick of implying the nature of a scene without apparently even attempting to describe it. Thus, any one reading the line ‘Pack, clouds, away,’ knows at once it is the kind of clouds called cumuli, and could not possibly be meant for level or streaky clouds. Or any one reading Milton’s line about the princess’s turret ‘bosomed high in tufted trees’ knows it means partly leafless trees, as in early spring or autumn, when the edge of the forest shows soft against the sky, like a brush or broom, sweeping heaven. With the same sort of subconscious solidity, Tryon realized the rounded and half-rosy morning clouds that curled or huddled in the blue above the downs; and the mute mercy of the forests, that faded from grey to purple before they mixed with heaven. Death, in a hat with black plumes, was shooting a thousand shining arrows at him every instant; and he had never loved the world so much before.

For indeed that one streak of white steel came at him like a shower of shining arrows. He had to make a new parry for every new lunge; and, with each, perversely remembered some episode of College fencing. When the bright point of death missed his heart and slid past his elbow, he saw suddenly a meadow beside the Thames. When he seemed blinded, by the very light on that lightning blade, leaping at his eyes, but passing over his shoulder, he saw the old lawn at Merton as if its grass had sprung out of the road around him. But he began more and more to realize something else. He realized that if he had held a real sword, he could have killed his enemy six times over with the riposte. When the heart-thrust was turned, he could have put his sword like a carving-knife into a pudding-if it had been a sword. When the parry protected his eyes, nothing else could have protected his opponent, except the unpenetrating quality of a walking-stick. His brain was of the very clear kind that can play two games of chess at once. While still whirling his black walking-stick in a complicated but impromptu clockwork of fence, he saw quite clearly a logical alternative. Either the man thought he was fighting someone with a sword: in which case he was a very bad fencer. Or else he knew he was fighting someone with a stick, in which case he was a very bad man: or (as the more timid modern phrase goes) a very bad sportsman.

He acted suddenly in a way adapted to either case. He introduced into his swordplay a stroke of single-stick, also learned at College, jerking his stick up so as to strike and jar the man’s elbow; and then, before the arm could recover its nerve, smote the sword clean out of the hand. A look at the man’s black, bewildered expression was enough. Tryon was now quite certain the man’s advantage had only been in his sword. He was also quite certain the man knew it. With all the rush of his released romanticism, which roared like the wind, and rolled like the clouds, and blazed like the sun which he had thought to see no more, he sprang forward and pinned the man by the throat, with a shout of laughter. Then he said, with more restrained humour, what he had said to the little boy up the road.

‘If he be bad and base,’ said Tryon, ‘he should be beaten with a staff.’ And whirling the walking-stick round his head, he laid three thundering and echoing thwacks across the shoulders of his disarmed enemy, and walked off up the road again like the wind.

He did not notice further what his murderous enemy might attempt, but he was honestly puzzled about the conduct of the crowd. For, by this time, there was a very considerable crowd. The sword-bearing Jeremy was quite prominent in the throng behind him; the lady with the golden curls and the sensitive profile was herself pausing a moment on the outskirts of the throng in front.

As he started up the road again, the mob set up a roar, redoubled and quadrupled, and several gentlemen present whirled their plumed hats and shouted observations he could not hear. What was even more extraordinary, a great part of the crowd (including the young lady, who vanished early) appeared to be disappearing up the road, as if bringing news of some great victory like Agincourt.

By the time he came from Grayling-Abbot to Grayling-le-Griffin, the next village, there were ten heads at every cottage window; and girls threw flowers, that missed him and fell on the road. By the time he came to the outskirts of the Park, with the stone griffins, there were triumphal arches.

‘It seems that I was not a little hasty with Master Bunt,’ said Tryon to himself, with a puzzled smile. ‘It is plain I have fallen into the Kingdom of Queen Mab. It is I, and not Master Jeremy, who have, in some sense, saved Angelica from the dragon. I was rather more embarrassed in the matter of arms, and she rather less embarrassed in the matter of attire, and there, truly, the difference seems to end. But the strangest thing of all is that, whatever I have done, I have done it with a sword of wood, like little Jeremy’s.’

In his academic reflections, he lifted his long black stick to look at it; and, as he did so, the cry of many crowds broke about him like a cannonade. For he had come to the very doors of Griffin Grange, to which he had been summoned on his much milder tutorial errand. And the great Sir Guy himself came out at the entrance. He might even have justified his mythic name, allowing for certain alterations of accident. For a griffin was supposed to be a mixture of the lion and the eagle; and certainly Sir Guy’s mane might have been a lion’s, but that it was largely white; and his nose might have been an eagle’s, but that it was partly red.

His face had at first a dangerous and even dissipated look, and Tryon had one momentary doubt about the reason of his defeat. But when he looked again at Sir Guy’s erect figure and animated eye; when he rather timidly accepted his decisive handshake and received congratulations in his clear and comfortable voice, the doubt vanished. And the young schoolmaster felt even more bewildered in receiving the equally adoring, though rather more gaping, congratulations of the six strenuous sons. At the first glance, Tryon felt something like despair about their Greek and Latin. But he also felt an increasing conviction that any of them could have knocked him anywhere with a cudgel. His own triumph began to seem as fantastic and incredible as his triumphal arches.

‘Assuredly it is a strange matter,’ he said to himself in his simplicity. ‘I was a tolerable good fencer at Merton, but not excellent. Not so good as Wilton or Smith or old King of Christ Church. It is not to be believed that men like these could not beat him with their great swords, when I could beat him with a stick. This is some jest of the great gentry, as in the ingenious tale of Master Cervantes.’

He therefore received the uproarious plaudits of old Griffin and his sons with some reserve; but, after a little time, it was hard for one so simple not to perceive their simplicity. They really did regard him, as little Jeremy would have regarded him, as a fairy-tale hero who had freed their valley from an ogre. The people at the windows had not been conspirators. The triumphal arches had not been practical jokes. He was really the god of the countryside and he had not a notion why.

Three things convinced him finally of the reality of his reputation. One was the mysterious fact that the young Griffins (that brood of mythic monsters) really made some attempt to learn. Humphrey, the eldest and biggest, got the genitive of quis right the third time, though wrong again the fourth, fifth, and sixth. The attempts of Geoffrey to distinguish between fingo and figo would have moved a heart of stone: and Miles, the youngest, was really interested in the verb ferre; though (being a waterside character) he had some tendency to end it with a ‘y.’ Underneath all this exceptional mental ambition, Tryon could see the huge, silent respect which savages and schoolboys feel everywhere for one who has ‘done’ something in the bodily way. The old rural and real aristocracy of England had not that rather cold and clumsy class-consciousness we now call the public-school spirit; and they enjoyed sports instead of worshipping them. But boys are the same in all ages, and one of their sports is hero-worship.

The next and yet more fascinating fact was Sir Guy. He was not, it was clear, in the common sense an amiable man. Just as the slash he had at the battle of Newbury made his eagle face almost as ugly as it was handsome, so the neglects and disappointments of his once promising military career had made his tongue and temper as bitter as they were sincere. Yet Tryon felt he owed the very knowledge of such an attitude to a confidence the old man would not have reposed in other people.

‘The King hath his own again,’ old Griffin would say gloomily. ‘But I think it is too late. Indeed it might nigh as well be the King of France come to rule us as the King of England. He hath brought back with him French women that act in stage plays as if they were boys; and tricks fit for pothecaries or conjurers at a fair, and tricks like this fellow’s that twitched away my sword, and every one else’s—till he met his master, thank God.’ And he smiled at Tryon, sourly, but with respect.

‘Is the gentleman I met,’ asked Tryon, rather timidly, one from the Court?’

‘Yes,’ answered the old man. ‘Did you look at his face?’

‘Only his eyes,’ said the fencer, smiling; ‘they are black.’

‘His face is painted,’ said Griffin. ‘That is the sort of thing they do in London. And he wears a pile of false hair out of a barber’s; and walks about in it, like the house of a Jack-in-the Green. But his was the best sword, as old Noll’s was the best army. And what could we do?’

The third fact, which affected Dennis Tryon most deeply of all, was a glimpse or two of the girl he had saved from the obstreperous courtier. It appeared she was the parson’s daughter, one Dorothy Hood, who was often in and out of the Grange, but always avoided him. He had every sort of delicacy himself; and a comprehension of her attitude made him finally certain of his own inexplicable importance. If this had been, as he first thought, a trick played on him in the style of the Duke and the Tinker, so charming a girl (and he thought her more charming every time she flashed down a corridor or disappeared through a door) would certainly have been set to draw him on. If there was a conspiracy, she must be in it; and her part in it would be plain. But she was not playing the part. He caught himself rather wishing she were.

The last stroke came when he heard her saying to Sir Guy, by the accident of two open doors: ‘All say, ‘twas witchcraft; and that God helped the young gentleman only because he was good, and—’

He walked wildly away. He was the kind of academic cavalier, who had learnt all worldly manners in an unworldly cloister. To him, therefore, eavesdropping was in all cases, horrible; in her case, damnable.

On one occasion he plucked up his courage to stop and thank her for having warned him of the danger of the duel.

Her delicate, pale face, always tremulous, became positively troubled. ‘But then I did not know,’ she said. ‘I knew you were not afraid. But I did not know then you were fighting the devils.’

‘Truly, and I do not know it now,’ he answered. ‘By my thinking, I was fighting one man, and no such great fighting at that.’

‘Everybody says it was the devils,’ she said with a beautiful simplicity. ‘My father says so.’

When she had slipped away, Dennis was left meditating: and a new and rather grim impression grew stronger and stronger upon him. The more he heard from servants or strangers, the clearer it was that the local legend was hardening into a tale of himself as exorcist breaking the spell of a warlock.

The youngest boy, Miles, who had been (as usual) down by the river, said the villagers were walking along the bank, looking for the old pool where witches were drowned. Humphrey said it would be no good if they found it, for the tall man with the painted face had gone back to London. But an hour later, Geoffrey came in with other news: the wicked wizard had gone out of Grayling, but the mob had stopped him on the road to Salisbury.

When Tryon bestirred himself with curiosity and alarm and looked out of the Grange gates he found fearful confirmation, almost in the image of a place of pestilence or a city of the dead. The whole population of the two villages of Grayling (save for such non-combatants as the wooden-sworded Bunt) had vanished from their streets and houses. They returned in the dark hour before dawn; and they brought with them the man with the magic sword.

Men in modern England, who have never seen a revolution, who have never seen even a real mob, cannot imagine what the capture of a witch was like. It was for all the populace of that valley a vast rising against an emperor and oppressor, a being taller, more terrible, more universal, than any one would have called either Charles I or Cromwell, even in jest. It was not, as the modern people say, the worrying of some silly old woman. It was for them a revolt against Kehama, the Almighty Man. It was for them a rebellion of the good angels after the victory of Satan. Dorothy Hood was sufficiently frightened of the mob to take Tryon’s hand in the crowd, and hold it in a way that made them understand each other with an intimate tenderness never afterwards dissolved. But it never occurred to her to be sorry for the warlock.

He was standing on the river bank, with his hands tied behind him, but the sword still at his side; no one feeling disposed to meddle with it. His peruke had been torn off; and his cropped head seemed to make more glaring and horrible the unnatural colours of his face. It was like some painted demon mask. But he was quite composed, and even contemptuous. Every now and then people threw things at him, as at one in the pillory; even little Jeremy Bunt flinging his wooden sword, with all the enthusiasm of the Children’s Crusade. But most things missed him and fell into the flowing river behind, into which (there could be little doubt) he himself was to be flung at last.

Then stood up for an instant in the stormy light, that rare but real spirit, for whose sake alone men have endured aristocracy, or the division of man from man. Sir Guy’s scarred face looked rather unusually sulky, or even spiteful; but he turned to his bodyguard of sons. ‘We must get him back safe to the Grange,’ he said sourly; ‘you boys have all your swords, I think. You had best draw them.’

‘Why?’ asked the staring Humphrey.

‘Why,’ answered his father, ‘because they are conquered swords, like my own.’ And he drew his long blade, that took the white light of the morning.

‘Boys,’ he said, ‘it is in the hand of God if he be warlock or no. But is it to be said of our blood that we brought crowds and clubs to kill a man who had whipped each one of us fairly with the sword? Shall men say that when Griffins met their match they whined about magic? Make a ring round him, and we will bring him alive through a thousand witch-smellers.’

Already a half-ring of naked swords had swung round the victim like a spiked necklace. In those days mobs were much bolder against their masters than they are to-day. But even that mob gave to the Griffins a military reputation beyond their mere territorial rank; and the parties were thus the more equal. There was no sword in that crowd better than a Griffin sword; except the sword that hung useless at the hip of a pinioned man.

Before the next moment, which must have been blood and destruction, the man with the useless sword spoke. ‘If some gentleman,’ he said with marmoreal calm, ‘will but put a hand in the pocket of my doublet, I think bloodshed will be spared.’

There was a long silence; and every one looked at Dennis Tryon: the man who had not feared the wizard. Every one included Dorothy; and Dennis stepped forward. He found a folded piece of paper in the doublet, opened it and read it with more and more wonder on his round young face. At the third sentence he took his hat off. At this the crowd stared more and more: it had fallen suddenly silent and all were conscious of a change and a cooling in that intense air.

‘It would appear,’ he said at last, ‘that this is a privy letter from His Majesty, which I will not read in entirety. But it advises and permits Sir Godfrey Skene to practise with the new Magnetic Sword which the Royal Society has for some little time attempted to manufacture in pursuance of a suggestion of Lord Verulam, the founder of our Natural Philosophy. The whole blade is magnetized; and it is thought it may even pull any other iron weapon out of the hand.’

He paused a moment, in some embarrassment, and then said: ‘It is added that only a weapon of wood or such other material could be used against it.’

Sir Guy turned to him suddenly and said: ‘Is that what you call Natural Philosophy?’

‘Yes,’ replied Tryon.

‘I thank you,’ said Griffin. ‘You need not teach it to my sons.’

Then he strode towards the prisoner, and rent the sword away, bursting the belt that held it.

‘If it were not His Majesty’s own hand,’ he said, ‘I would throw you with it after all.’

The next instant the Magnetic Sword of the Royal Society vanished from men’s view for ever; and Tryon could see nothing but Jeremy’s little cross of wood heaving with the heaving stream.

THE SWORD OF WOOD [1928]

DOWN in the little village of Grayling-Abbot, in Somerset, men did not know that the world we live in had begun. They did not know that all we have come to call ‘modern’ had silently entered England, and changed the air of it. Well, they did not know it very clearly even in London: though one or two shrewd men like my Lord Clarendon, and perhaps Prince Rupert, with his chemicals and his sad eyes, may have had a glimmer of it.

On the contrary, by the theory of the thing, the old world had returned. Christmas could be kept again; the terrible army was disbanded; the swarthy young man with the sour, humorous face, who had been cheered from Dover to Whitehall, brought back in him the blood of kings. Every one was saying (especially in Grayling-Abbot) that now it would be Merry England again. But the swarthy young man knew better. The Merry Monarch knew he was not meant to make Merry England. If he treated his own life as a comedy, it was for a philosophical reason; because comedy is the only poetry of compromise. And he was a compromise; and he knew it. Therefore he turned, like Prince Rupert, to the chemicals; and played with the little toys that were to become the terrible engines of modern science. So he might have played with tiger-cubs, so long as they were as small as his spaniels.

But down in Grayling-Abbot it was much easier to believe that old England had been restored, because it had never, in any serious sense, been disturbed. The fierce religious quarrels of the seventeenth century had only stirred that rustic neighbourhood to occasional panics of witch-burning. And these, though much rarer in the medieval society, were not inconsistent with it. The squire, Sir Guy Griffin, was famous as a fighter quite in the medieval style. Though he had commanded a troop under Newcastle in the Civil Wars with conspicuous success, the local legend of his bodily prowess eclipsed any national chronicle of his military capacity. Through two or three counties round Grayling-Abbot, his reputation for swordsmanship had quite eclipsed his reputation for generalship. So, in the Middle Ages, it happened that Coeur-de-Lion’s hand could keep his head: it happened that Bruce’s hand could keep his head. And in both cases the head has suffered unfairly from the glorification of the hand.

The same almost unbroken medieval tradition even clung round the young schoolmaster, Dennis Tryon, who was just locking up his little school for the last time; having been transferred to a private post at Sir Guy’s own house, to teach Sir Guy’s six hulking sons, who had learned their father’s skill with the sword, and hitherto declined to learn anything else. In numberless and nameless ways, Tryon expressed the old traditions. He was not a Puritan, yet he wore black clothes because he might have been a priest. Though he had learned to fence and dance at College, like Milton, he was plainly dressed and weaponless; because the vague legend remained that a student was a sort of clerk, and a clerk was a sort of clergyman. He wore his brown hair long, like a Cavalier. But as it was his own hair, it was long and straight: while the Cavaliers were already beginning to wear other people’s hair, which was long and curly. In that strict brown frame, his face had the boyish, frank, rather round appearance that may be seen in old miniatures of Falkland or the Duke of Monmouth. His favourite authors were George Herbert and Sir Thomas Browne; and he was very young.

He was addressing a last word to a last pupil, who happened to be lingering outside the school—a minute boy of seven, playing with one of those wooden swords, made of two lengths of lath nailed across each other, which boys have played with in all centuries.

‘Jeremy Bunt,’ said Tryon, with a rather melancholy playfulness, ‘your sword is, as it seems to me, much an improvement on most we have lately looked on. I observe its end is something blunt; doubtless for that gallant reason that led Orlando to blunt his sword when fighting the lady, whose name, in the ingenious romance, escapes me. Let it suffice you, little one. It will kill the Giants, like Master Jack’s sword of sharpness, at least as well as the swords of a standing army ever will. If you be minded to save the Lady Angelica from the ogre, it will turn the dragon to stone as quick as any sword of steel would do. And, oh, Jeremy, if the fable be false, the moral is not false. If a little boy be good and brave, he should be great, and he may be. If he be bad and base, he should be beaten with a staff’— here Tryon tapped him very softly on the shoulders with a long black walking-cane that was commonly his only ferule—‘but in either way, to my thinking, your sword is as good as any other. Only, dear Jeremy’—and he bent over the child swiftly, with a sudden tenderness—‘always remember your kind of sword is stronger if one holds it by the wrong end.’

He reversed the little sword in the child’s hand, making it a wooden cross, and then went striding up the road like the wind, leaving the staring boy behind.

When he became conscious that human feet were following him, he knew they could not possibly be the feet of the boy. He looked round; and Jeremy was still hovering in the distance; but the rush of feet came from a far different cause.

A young lady was hurrying by close under the high hedge that was nearly as old as the Plantagenets. Her costume was like his own, in the sense that it had the quietude of the Puritan with the cut of the Cavalier. Her dress was as dark as Barebones could have asked; but the ringlets under her hood were yellow and curly, for the same reason that his own hair was brown and straight: because they were her own. Nothing else was notable about her, except that she was pretty and seemed rather in a hurry; and that her delicate profile was pointed resolutely up the road. The face was a little pale.

LA SPADA DI LEGNO [1928]

Laggiù, nel piccolo villaggio di Grayling-Abbot, nel Somerset, gli uomini non sapevano che il mondo in cui viviamo aveva avuto inizio. Non sapevano che tutto ciò che siamo giunti a chiamare «moderno» era entrato silenziosamente in Inghilterra, mutandone l’aria. Ebbene, non lo sapevano molto chiaramente nemmeno a Londra: benché un paio d’uomini scaltri come il mio Lord Clarendon, e forse il Principe Rupert, coi suoi elementi chimici e i suoi occhi tristi, potessero averne un barlume.

Al contrario, secondo la teoria della cosa, il vecchio mondo era ritornato. Si poteva di nuovo celebrare il Natale; il terribile esercito era stato sciolto; il giovane bruno dal volto aspro e faceto, che era stato acclamato da Dover a Whitehall, recava in sé il sangue dei re. Tutti dicevano (specialmente a Grayling-Abbot) che ora sarebbe stata di nuovo la Merry England, l’Inghilterra gioiosa. Ma il giovane bruno la sapeva più lunga. Il Monarca Gioioso sapeva di non essere destinato a fare l’Inghilterra gioiosa. Se trattava la propria vita come una commedia, era per una ragione filosofica; poiché la commedia è l’unica poesia del compromesso. Ed egli era un compromesso; e lo sapeva. Perciò si volse, come il Principe Rupert, agli elementi chimici; e giocò coi piccoli balocchi che sarebbero divenuti le terribili macchine della scienza moderna. Così avrebbe potuto giocare con cuccioli di tigre, finché fossero rimasti piccoli quanto i suoi spaniel.

Ma laggiù a Grayling-Abbot era assai più facile credere che la vecchia Inghilterra fosse stata restaurata, perché non era mai stata, in alcun senso serio, turbata. Le fiere contese religiose del Seicento avevano scosso quel rustico vicinato soltanto con occasionali panici di roghi di streghe. E questi, benché assai più rari nella società medievale, non le erano incongrui. Lo squire, Sir Guy Griffin, era famoso come combattente proprio alla maniera medievale. Benché avesse comandato una truppa sotto Newcastle nelle Guerre Civili con cospicuo successo, la leggenda locale della sua prodezza fisica eclissava ogni cronaca nazionale della sua capacità militare. Per due o tre contee attorno a Grayling-Abbot, la sua fama di spadaccino aveva del tutto eclissato la sua fama di stratega. Così, nel Medioevo, accadde che la mano di Cuor di Leone potesse conservare la testa: accadde che la mano di Bruce potesse conservare la testa. E in entrambi i casi la testa ha sofferto ingiustamente per la glorificazione della mano.

La stessa tradizione medievale, quasi ininterrotta, aderiva perfino al giovane maestro di scuola, Dennis Tryon, che stava appunto chiudendo la sua piccola scuola per l’ultima volta; essendo stato trasferito a un impiego privato nella casa stessa di Sir Guy, per istruire i sei corpulenti figli di Sir Guy, che avevano appreso l’abilità paterna con la spada, e fino a quel momento avevano ricusato d’imparare altro. In modi innumerevoli e senza nome, Tryon esprimeva le antiche tradizioni. Non era un Puritano, eppure vestiva di nero perché avrebbe potuto essere un prete. Benché avesse imparato a tirar di scherma e a danzare al College, come Milton, era vestito con semplicità e disarmato; poiché rimaneva la vaga leggenda che uno studente fosse una sorta di chierico, e un chierico una sorta di ecclesiastico. Portava lunghi i capelli castani, come un Cavaliere. Ma poiché erano i suoi propri capelli, erano lunghi e lisci: mentre i Cavalieri cominciavano già a portare i capelli altrui, che erano lunghi e ricci. In quella severa cornice bruna, il suo volto aveva l’aspetto fanciullesco, franco e piuttosto tondo che si può vedere nelle vecchie miniature di Falkland o del Duca di Monmouth. I suoi autori prediletti erano George Herbert e Sir Thomas Browne; ed egli era molto giovane.

Stava rivolgendo un’ultima parola a un ultimo allievo, che per caso s’attardava fuori della scuola: un minuto fanciullo di sette anni, che giocava con una di quelle spade di legno, fatte di due assicelle inchiodate a croce l’una sull’altra, con cui i ragazzi hanno giocato in tutti i secoli.

«Jeremy Bunt», disse Tryon, con una giocosità piuttosto malinconica, «la tua spada è, a quanto mi pare, assai migliore della maggior parte di quelle che abbiamo osservato di recente. Osservo che la sua punta è alquanto ottusa; senza dubbio per quella galante ragione che indusse Orlando a smussare la propria spada quando combatteva contro la dama il cui nome, nell’ingegnoso romanzo, mi sfugge. Ti basti questo, piccolo mio. Ucciderà i Giganti, come la spada affilata di Mastro Jack, almeno altrettanto bene di quanto faranno mai le spade di un esercito permanente. Se sei disposto a salvare la Dama Angelica dall’orco, essa tramuterà il drago in pietra tanto in fretta quanto farebbe qualsiasi spada d’acciaio. E, oh, Jeremy, se la favola è falsa, la morale non è falsa. Se un fanciullo è buono e coraggioso, dovrebbe essere grande, e può esserlo. Se è cattivo e vile, dovrebbe essere battuto con un bastone» — qui Tryon gli batté assai dolcemente sulle spalle con una lunga canna nera da passeggio che era comunemente la sua sola ferula — «ma in ogni caso, a mio giudizio, la tua spada è buona quanto qualsiasi altra. Solo, caro Jeremy» — e si chinò rapidamente sul fanciullo, con improvvisa tenerezza — «ricorda sempre che la tua specie di spada è più forte se la si impugna dalla parte sbagliata».

Rovesciò la piccola spada nella mano del fanciullo, facendone una croce di legno, e poi risalì a gran passi la strada come il vento, lasciandosi dietro il ragazzo che lo fissava.

Quando si accorse che piedi umani lo seguivano, seppe che non potevano in alcun modo essere i piedi del ragazzo. Si volse a guardare; e Jeremy indugiava ancora in lontananza; ma quel precipitar di passi veniva da causa ben diversa.

Una giovane dama passava in fretta rasente l’alta siepe che era quasi antica quanto i Plantageneti. Il suo abbigliamento era simile al suo, nel senso che aveva la quiete del Puritano con il taglio del Cavaliere. La sua veste era scura quanto Barebones avrebbe potuto desiderare; ma i riccioli sotto il cappuccio erano biondi e inanellati, per la stessa ragione per cui i capelli di lui erano castani e lisci: perché erano i suoi propri. Nulla di lei era notevole, tranne che era graziosa e pareva piuttosto in fretta; e che il suo delicato profilo era rivolto risoluto su per la strada. Il volto era un poco pallido.

Tryon turned again to look back on his tracks; and this time saw another figure more formidable than Jeremy with the wooden sword.

A tall, swaggering figure, almost black against the sunlight, was coming down the road with a rapidity that almost amounted to a run. He had a wide hat with feathers, and long, luxuriant hair, in the latest London manner; but it was not any such feathers or flourishes that arrested Tryon’s attention. He had seen old Sir Guy Griffin, who still wore his wild, white hair half-way down his back, to show (very unnecessarily) that he was not a Puritan. He had seen Sir Guy stick in his hat the most startling cock’s feathers, but that was because he had no other feathers. But Tryon knew at a glance that Sir Guy would never have come forward in such extraordinary attitudes. The tall, fantastic man actually drew his sword as he rushed forward; and offered it like a lance to be splintered as from the end of a long tilting-yard. Such frolics may have happened a hundred times round the ‘Cock’ of Buckingham and Dorset. But it was an action utterly unknown to the gentry round Grayling-Abbot, when they settled affairs of honour.

While he was still looking up the road at the advancing figure, he found himself breathlessly addressed by the escaping girl.

‘You must not fight him,’ she said, ‘he has beaten everybody. He has beaten even Sir Guy, and all his sons.’ She cast her eyes about him and cried out in horror: ‘And where is your sword?’

‘With my spurs, mistress,’ replied the schoolmaster, in the best style of Ariosto. ‘I have to win them both.’

She looked at him rather wildly and said: ‘But he has never been beaten in swordsmanship.’

Tryon, with a smile, made a salute with his black walking-stick. ‘A man with no sword,’ he said, ‘can never be beaten in swordsmanship.’

The girl stood for one moment staring at him as if, even in that scene of scurry and chase, time were suspended for a flash. Then she seemed to leap again like a hunted thing and plunged on: and it was only some hundred yards higher up the road that she again halted, hesitated, and looked back. In much the same manner Master Jeremy Bunt, who had not the faintest intention of deserting the delightful school in which he was no longer required to do any work, actually ran forward. Perhaps their curiosity ought to be excused. For they were certainly looking at the most astounding duel the world had ever seen. It was the duel of the naked sword and the walking-stick: probably the only merely defensive battle ever fought on this earth.

The day was full of sun and wind, the two chief ingredients of a glorious day; but till that moment even Mr. Tryon, though of a pastoral and poetical turn, had not noticed anything specially splendid in the sky or landscape. Now the beauty of this world came upon him with the violence of a supernatural vision; for he was very certain it was a vision that he soon must lose. He was a good fencer with the foil in the Collegiate manner. But it was not to be expected that any human being could emerge victorious from a prolonged fight in which he had no means of retaliation; and especially as his opponent, whether from drink or devilry, was clearly fighting to the death. Tryon could not be certain that the wild creature even knew that his sword only struck against wood.

Dennis Tryon took in every glory of the good English land, and the still more glorious English climate, with the corner of his eye; he took it in with that same swift, indirect and casual, yet absolutely substantial way in which Nature is noticed in the old English poets that he loved. For the great poets of England, from Chaucer to Dryden, had a trick that has since been lost, the trick of implying the nature of a scene without apparently even attempting to describe it. Thus, any one reading the line ‘Pack, clouds, away,’ knows at once it is the kind of clouds called cumuli, and could not possibly be meant for level or streaky clouds. Or any one reading Milton’s line about the princess’s turret ‘bosomed high in tufted trees’ knows it means partly leafless trees, as in early spring or autumn, when the edge of the forest shows soft against the sky, like a brush or broom, sweeping heaven. With the same sort of subconscious solidity, Tryon realized the rounded and half-rosy morning clouds that curled or huddled in the blue above the downs; and the mute mercy of the forests, that faded from grey to purple before they mixed with heaven. Death, in a hat with black plumes, was shooting a thousand shining arrows at him every instant; and he had never loved the world so much before.

For indeed that one streak of white steel came at him like a shower of shining arrows. He had to make a new parry for every new lunge; and, with each, perversely remembered some episode of College fencing. When the bright point of death missed his heart and slid past his elbow, he saw suddenly a meadow beside the Thames. When he seemed blinded, by the very light on that lightning blade, leaping at his eyes, but passing over his shoulder, he saw the old lawn at Merton as if its grass had sprung out of the road around him. But he began more and more to realize something else. He realized that if he had held a real sword, he could have killed his enemy six times over with the riposte. When the heart-thrust was turned, he could have put his sword like a carving-knife into a pudding-if it had been a sword. When the parry protected his eyes, nothing else could have protected his opponent, except the unpenetrating quality of a walking-stick. His brain was of the very clear kind that can play two games of chess at once. While still whirling his black walking-stick in a complicated but impromptu clockwork of fence, he saw quite clearly a logical alternative. Either the man thought he was fighting someone with a sword: in which case he was a very bad fencer. Or else he knew he was fighting someone with a stick, in which case he was a very bad man: or (as the more timid modern phrase goes) a very bad sportsman.

Tryon si voltò di nuovo a guardare i propri passi; e questa volta vide un’altra figura più temibile di Jeremy con la spada di legno.

Una figura alta e spavalda, quasi nera contro il sole, scendeva per la strada con una rapidità che quasi rasentava la corsa. Aveva un ampio cappello con le piume, e capelli lunghi e rigogliosi, all’ultima moda di Londra; ma non erano piume simili o simili svolazzi ad attirare l’attenzione di Tryon. Aveva visto il vecchio Sir Guy Griffin, che portava ancora la sua chioma selvaggia e bianca fin quasi a mezza schiena, per mostrare (assai inutilmente) che non era un Puritano. Aveva visto Sir Guy ficcarsi nel cappello le più sbalorditive penne di gallo, ma ciò perché non aveva altre penne. Ma Tryon capì a colpo d’occhio che Sir Guy non si sarebbe mai fatto avanti in atteggiamenti tanto straordinari. L’uomo alto e fantastico giunse davvero a sguainare la spada mentre correva avanti; e la porgeva come una lancia da spezzare, come dall’estremità di un lungo campo di torneo. Simili baldorie possono essere accadute cento volte intorno al ‘Cock’ di Buckingham e Dorset. Ma era un gesto del tutto ignoto alla nobiltà intorno a Grayling-Abbot, quando regolavano faccende d’onore.

Mentre ancora guardava su per la strada la figura che avanzava, si sentì rivolgere la parola, senza fiato, dalla fanciulla in fuga.

‘Non dovete battervi con lui,’ disse, ‘ha battuto tutti. Ha battuto persino Sir Guy, e tutti i suoi figli.’ Girò gli occhi intorno a lui e gridò con orrore: ‘E dov’è la vostra spada?’

‘Insieme ai miei speroni, madamigella,’ rispose il maestro di scuola, nel migliore stile dell’Ariosto. ‘Devo conquistare gli uni e l’altra.’

Lei lo guardò piuttosto smarrita e disse: ‘Ma lui non è mai stato sconfitto nella scherma.’

Tryon, con un sorriso, fece un saluto col suo bastone da passeggio nero. ‘Un uomo senza spada,’ disse, ‘non può mai essere sconfitto nella scherma.’

La fanciulla rimase un istante a fissarlo come se, perfino in quella scena di trambusto e inseguimento, il tempo si fosse sospeso per un lampo. Poi parve balzare di nuovo come una preda braccata e si slanciò avanti: e fu solo un centinaio di iarde più su per la strada che di nuovo si fermò, esitò e si voltò a guardare. Pressoché allo stesso modo Mastro Jeremy Bunt, che non aveva la minima intenzione di abbandonare la deliziosa scuola in cui non gli era più richiesto di fare alcun lavoro, corse davvero avanti. Forse la loro curiosità andrebbe scusata. Perché stavano certamente assistendo al duello più sbalorditivo che il mondo avesse mai visto. Era il duello della spada nuda e del bastone da passeggio: probabilmente l’unica battaglia meramente difensiva mai combattuta su questa terra.

Il giorno era pieno di sole e di vento, i due ingredienti principali di una giornata gloriosa; ma fino a quel momento perfino il signor Tryon, benché d’indole pastorale e poetica, non aveva notato nulla di particolarmente splendido nel cielo o nel paesaggio. Ora la bellezza di questo mondo lo assalì con la violenza di una visione soprannaturale; poiché era ben certo che era una visione che presto avrebbe dovuto perdere. Era un buon schermidore col fioretto, alla maniera collegiale. Ma non c’era da aspettarsi che alcun essere umano potesse uscire vincitore da un combattimento prolungato in cui non aveva alcun mezzo per contrattaccare; e specialmente perché il suo avversario, sia per ubriachezza sia per diavoleria, combatteva chiaramente all’ultimo sangue. Tryon non poteva essere certo che la creatura selvaggia sapesse nemmeno che la sua spada colpiva solo il legno.

Dennis Tryon colse ogni gloria della buona terra inglese, e del clima inglese ancora più glorioso, con la coda dell’occhio; la colse con quello stesso modo rapido, indiretto e casuale, eppure assolutamente sostanziale, con cui la Natura è notata negli antichi poeti inglesi che amava. Perché i grandi poeti d’Inghilterra, da Chaucer a Dryden, avevano un trucco andato poi perduto, il trucco di suggerire la natura di una scena senza apparentemente nemmeno tentare di descriverla. Così, chiunque legga il verso ‘Via, nubi, via,’ capisce subito che è quel genere di nubi dette cumuli, e non potrebbe in alcun modo intendere nubi piatte o striate. Oppure chiunque legga il verso di Milton sulla torretta della principessa ‘annidata in alto tra gli alberi frondosi’ capisce che allude ad alberi in parte spogli, come all’inizio della primavera o in autunno, quando il margine della foresta si mostra morbido contro il cielo, come un pennello o una scopa che spazza il paradiso. Con lo stesso genere di solidità subconscia, Tryon percepì le arrotondate nubi mattutine, mezze rosate, che si arricciavano o si accalcavano nell’azzurro sopra le colline; e la muta misericordia delle foreste, che sfumavano dal grigio al porpora prima di mescolarsi al paradiso. La Morte, in un cappello dalle piume nere, gli scoccava mille lucenti frecce a ogni istante; e mai prima aveva amato tanto il mondo.

Perché in verità quell’unica striscia d’acciaio bianco gli veniva addosso come una pioggia di frecce lucenti. Doveva inventare una nuova parata per ogni nuovo affondo; e, a ciascuna, ricordava perversamente qualche episodio di scherma al Collegio. Quando la brillante punta della morte mancava il suo cuore e sfilava oltre il gomito, vedeva d’un tratto un prato in riva al Tamigi. Quando pareva accecato dalla luce stessa su quella lama di folgore, che gli guizzava agli occhi, ma gli passava sopra la spalla, vedeva il vecchio prato di Merton, come se l’erba fosse spuntata dalla strada intorno a lui. Ma cominciò sempre più a rendersi conto di qualcos’altro. Si rese conto che, se avesse impugnato una vera spada, avrebbe potuto uccidere il suo nemico sei volte con la riposta. Quando la stoccata al cuore veniva deviata, avrebbe potuto conficcargli la spada come un trinciante in un budino—se solo fosse stata una spada. Quando la parata proteggeva i suoi occhi, nient’altro avrebbe potuto proteggere il suo avversario, tranne la qualità non penetrante di un bastone da passeggio. Il suo cervello era del genere assai limpido che può giocare due partite a scacchi in una volta. Mentre ancora faceva turbinare il suo bastone da passeggio nero in un complicato ma improvvisato ingranaggio di scherma, vide con tutta chiarezza un’alternativa logica. O l’uomo credeva di battersi con qualcuno armato di spada: nel qual caso era uno schermidore pessimo. Oppure sapeva di battersi con qualcuno armato di bastone, nel qual caso era un pessimo uomo: o (come suona la più timida frase moderna) un pessimo sportivo.

He acted suddenly in a way adapted to either case. He introduced into his swordplay a stroke of single-stick, also learned at College, jerking his stick up so as to strike and jar the man’s elbow; and then, before the arm could recover its nerve, smote the sword clean out of the hand. A look at the man’s black, bewildered expression was enough. Tryon was now quite certain the man’s advantage had only been in his sword. He was also quite certain the man knew it. With all the rush of his released romanticism, which roared like the wind, and rolled like the clouds, and blazed like the sun which he had thought to see no more, he sprang forward and pinned the man by the throat, with a shout of laughter. Then he said, with more restrained humour, what he had said to the little boy up the road.

‘If he be bad and base,’ said Tryon, ‘he should be beaten with a staff.’ And whirling the walking-stick round his head, he laid three thundering and echoing thwacks across the shoulders of his disarmed enemy, and walked off up the road again like the wind.

He did not notice further what his murderous enemy might attempt, but he was honestly puzzled about the conduct of the crowd. For, by this time, there was a very considerable crowd. The sword-bearing Jeremy was quite prominent in the throng behind him; the lady with the golden curls and the sensitive profile was herself pausing a moment on the outskirts of the throng in front.

As he started up the road again, the mob set up a roar, redoubled and quadrupled, and several gentlemen present whirled their plumed hats and shouted observations he could not hear. What was even more extraordinary, a great part of the crowd (including the young lady, who vanished early) appeared to be disappearing up the road, as if bringing news of some great victory like Agincourt.

By the time he came from Grayling-Abbot to Grayling-le-Griffin, the next village, there were ten heads at every cottage window; and girls threw flowers, that missed him and fell on the road. By the time he came to the outskirts of the Park, with the stone griffins, there were triumphal arches.

‘It seems that I was not a little hasty with Master Bunt,’ said Tryon to himself, with a puzzled smile. ‘It is plain I have fallen into the Kingdom of Queen Mab. It is I, and not Master Jeremy, who have, in some sense, saved Angelica from the dragon. I was rather more embarrassed in the matter of arms, and she rather less embarrassed in the matter of attire, and there, truly, the difference seems to end. But the strangest thing of all is that, whatever I have done, I have done it with a sword of wood, like little Jeremy’s.’

In his academic reflections, he lifted his long black stick to look at it; and, as he did so, the cry of many crowds broke about him like a cannonade. For he had come to the very doors of Griffin Grange, to which he had been summoned on his much milder tutorial errand. And the great Sir Guy himself came out at the entrance. He might even have justified his mythic name, allowing for certain alterations of accident. For a griffin was supposed to be a mixture of the lion and the eagle; and certainly Sir Guy’s mane might have been a lion’s, but that it was largely white; and his nose might have been an eagle’s, but that it was partly red.

His face had at first a dangerous and even dissipated look, and Tryon had one momentary doubt about the reason of his defeat. But when he looked again at Sir Guy’s erect figure and animated eye; when he rather timidly accepted his decisive handshake and received congratulations in his clear and comfortable voice, the doubt vanished. And the young schoolmaster felt even more bewildered in receiving the equally adoring, though rather more gaping, congratulations of the six strenuous sons. At the first glance, Tryon felt something like despair about their Greek and Latin. But he also felt an increasing conviction that any of them could have knocked him anywhere with a cudgel. His own triumph began to seem as fantastic and incredible as his triumphal arches.

‘Assuredly it is a strange matter,’ he said to himself in his simplicity. ‘I was a tolerable good fencer at Merton, but not excellent. Not so good as Wilton or Smith or old King of Christ Church. It is not to be believed that men like these could not beat him with their great swords, when I could beat him with a stick. This is some jest of the great gentry, as in the ingenious tale of Master Cervantes.’

He therefore received the uproarious plaudits of old Griffin and his sons with some reserve; but, after a little time, it was hard for one so simple not to perceive their simplicity. They really did regard him, as little Jeremy would have regarded him, as a fairy-tale hero who had freed their valley from an ogre. The people at the windows had not been conspirators. The triumphal arches had not been practical jokes. He was really the god of the countryside and he had not a notion why.

Three things convinced him finally of the reality of his reputation. One was the mysterious fact that the young Griffins (that brood of mythic monsters) really made some attempt to learn. Humphrey, the eldest and biggest, got the genitive of quis right the third time, though wrong again the fourth, fifth, and sixth. The attempts of Geoffrey to distinguish between fingo and figo would have moved a heart of stone: and Miles, the youngest, was really interested in the verb ferre; though (being a waterside character) he had some tendency to end it with a ‘y.’ Underneath all this exceptional mental ambition, Tryon could see the huge, silent respect which savages and schoolboys feel everywhere for one who has ‘done’ something in the bodily way. The old rural and real aristocracy of England had not that rather cold and clumsy class-consciousness we now call the public-school spirit; and they enjoyed sports instead of worshipping them. But boys are the same in all ages, and one of their sports is hero-worship.

Agì d’improvviso in un modo adatto all’uno e all’altro caso. Introdusse nel suo gioco di spada un colpo di bastone singolo, anch’esso appreso al Collegio, scattando col bastone verso l’alto così da colpire e scuotere il gomito dell’uomo; e poi, prima che il braccio potesse ritrovare il suo nerbo, sbatté via la spada netta dalla mano. Un’occhiata all’espressione nera e sbigottita dell’uomo bastò. Tryon era ormai del tutto certo che il vantaggio dell’uomo fosse stato solo nella sua spada. Era anche del tutto certo che l’uomo lo sapesse. Con tutto l’impeto del suo romanticismo liberato, che ruggiva come il vento, e rotolava come le nubi, e fiammeggiava come il sole che aveva creduto di non veder più, balzò avanti e inchiodò l’uomo per la gola, con uno scoppio di risa. Poi disse, con umorismo più contenuto, ciò che aveva detto al ragazzino su per la strada.

‘Se è cattivo e vile,’ disse Tryon, ‘dev’essere battuto con un bastone.’ E facendo turbinare il bastone da passeggio intorno alla testa, calò tre tonanti e riecheggianti sferzate sulle spalle del nemico disarmato, e se ne andò di nuovo su per la strada come il vento.

Non badò oltre a ciò che il suo nemico assassino potesse tentare, ma era onestamente perplesso circa la condotta della folla. Perché, a quest’ora, c’era una folla assai considerevole. Jeremy portatore di spada spiccava bene nella calca dietro di lui; la dama dai riccioli d’oro e dal profilo sensibile si stava lei stessa soffermando un momento ai margini della calca davanti.

Quando ripartì su per la strada, la folla levò un boato, raddoppiato e quadruplicato, e diversi gentiluomini presenti fecero volteggiare i loro cappelli piumati e gridarono osservazioni che egli non poté udire. Cosa ancora più straordinaria, gran parte della folla (compresa la giovane dama, che scomparve presto) pareva dileguarsi su per la strada, come recando notizia di qualche grande vittoria alla maniera di Agincourt.

Nel tempo in cui venne da Grayling-Abbot a Grayling-le-Griffin, il villaggio successivo, c’erano dieci teste a ogni finestra di casolare; e le ragazze lanciavano fiori, che lo mancavano e cadevano sulla strada. Nel tempo in cui giunse ai margini del Parco, con i grifoni di pietra, c’erano archi di trionfo.

‘Pare che sia stato un po’ avventato con Mastro Bunt,’ disse Tryon tra sé, con un sorriso perplesso. ‘È chiaro che sono capitato nel Regno della Regina Mab. Sono io, e non Mastro Jeremy, che ho, in qualche senso, salvato Angelica dal drago. Io ero un po’ più impacciato in fatto d’armi, e lei un po’ meno impacciata in fatto d’abbigliamento, e lì, in verità, la differenza pare finire. Ma la cosa più strana di tutte è che, qualunque cosa io abbia fatto, l’ho fatta con una spada di legno, come quella del piccolo Jeremy.’

Nelle sue riflessioni accademiche, sollevò il lungo bastone nero per guardarlo; e, mentre lo faceva, il grido di molte folle esplose intorno a lui come una cannonata. Perché era giunto proprio sulla soglia di Griffin Grange, dove era stato convocato per il suo assai più mite incarico di precettore. E il grande Sir Guy in persona uscì all’ingresso. Avrebbe potuto perfino giustificare il suo nome mitico, tenuto conto di certe alterazioni dovute al caso. Perché un grifone doveva essere un misto di leone e aquila; e certo la criniera di Sir Guy poteva essere quella di un leone, se non fosse stata in gran parte bianca; e il suo naso poteva essere quello di un’aquila, se non fosse stato in parte rosso.

Il suo volto ebbe dapprima un aspetto pericoloso e perfino dissoluto, e Tryon ebbe un momentaneo dubbio sulla ragione della sconfitta di lui. Ma quando guardò di nuovo la figura eretta di Sir Guy e l’occhio animato; quando accettò piuttosto timidamente la sua stretta di mano decisa e ricevette le congratulazioni nella sua voce chiara e cordiale, il dubbio svanì. E il giovane maestro di scuola si sentì ancora più sconcertato nel ricevere le altrettanto adoranti, benché piuttosto più sbalordite, congratulazioni dei sei robusti figli. A prima vista, Tryon provò qualcosa come disperazione riguardo al loro greco e latino. Ma provò anche una crescente convinzione che ciascuno di loro avrebbe potuto stenderlo dovunque con un randello. Il suo stesso trionfo cominciava a sembrargli fantastico e incredibile quanto i suoi archi di trionfo.

‘Certamente è una faccenda strana,’ disse a sé stesso nella sua semplicità. ‘Ero un discreto buon schermidore a Merton, ma non eccellente. Non così bravo come Wilton o Smith o il vecchio King di Christ Church. Non è credibile che uomini come questi non potessero batterlo con le loro grandi spade, quando io ho potuto batterlo con un bastone. Questa è qualche burla della grande nobiltà, come nell’ingegnoso racconto di Mastro Cervantes.’

Ricevette dunque i chiassosi applausi del vecchio Griffin e dei suoi figli con un certo riserbo; ma, dopo un po’ di tempo, fu difficile, per uno così semplice, non percepire la loro semplicità. Lo consideravano davvero, come lo avrebbe considerato il piccolo Jeremy, un eroe da fiaba che aveva liberato la loro valle da un orco. La gente alle finestre non era stata fatta di cospiratori. Gli archi di trionfo non erano stati scherzi. Egli era davvero il dio della campagna, e non ne aveva la minima idea del perché.

Tre cose lo convinsero infine della realtà della sua fama. Una fu il fatto misterioso che i giovani Griffin (quella covata di mostri mitici) tentavano davvero, in qualche modo, di imparare. Humphrey, il maggiore e il più grosso, azzeccò il genitivo di quis alla terza volta, benché di nuovo sbagliato alla quarta, quinta e sesta. I tentativi di Geoffrey di distinguere tra fingo e figo avrebbero commosso un cuore di pietra: e Miles, il più giovane, si interessava davvero al verbo ferre; benché (essendo un tipo da riva d’acqua) avesse una certa tendenza a terminarlo con una ‘y.’ Sotto tutta questa eccezionale ambizione mentale, Tryon poteva vedere l’enorme, silenzioso rispetto che selvaggi e scolari provano ovunque per chi ha ‘fatto’ qualcosa per via corporale. La vecchia aristocrazia rurale e reale d’Inghilterra non aveva quella piuttosto fredda e goffa coscienza di classe che ora chiamiamo lo spirito delle public school; e godevano degli sport invece di venerarli. Ma i ragazzi sono uguali in tutte le epoche, e uno dei loro sport è il culto dell’eroe.

The next and yet more fascinating fact was Sir Guy. He was not, it was clear, in the common sense an amiable man. Just as the slash he had at the battle of Newbury made his eagle face almost as ugly as it was handsome, so the neglects and disappointments of his once promising military career had made his tongue and temper as bitter as they were sincere. Yet Tryon felt he owed the very knowledge of such an attitude to a confidence the old man would not have reposed in other people.

‘The King hath his own again,’ old Griffin would say gloomily. ‘But I think it is too late. Indeed it might nigh as well be the King of France come to rule us as the King of England. He hath brought back with him French women that act in stage plays as if they were boys; and tricks fit for pothecaries or conjurers at a fair, and tricks like this fellow’s that twitched away my sword, and every one else’s—till he met his master, thank God.’ And he smiled at Tryon, sourly, but with respect.

‘Is the gentleman I met,’ asked Tryon, rather timidly, one from the Court?’

‘Yes,’ answered the old man. ‘Did you look at his face?’

‘Only his eyes,’ said the fencer, smiling; ‘they are black.’

‘His face is painted,’ said Griffin. ‘That is the sort of thing they do in London. And he wears a pile of false hair out of a barber’s; and walks about in it, like the house of a Jack-in-the Green. But his was the best sword, as old Noll’s was the best army. And what could we do?’

The third fact, which affected Dennis Tryon most deeply of all, was a glimpse or two of the girl he had saved from the obstreperous courtier. It appeared she was the parson’s daughter, one Dorothy Hood, who was often in and out of the Grange, but always avoided him. He had every sort of delicacy himself; and a comprehension of her attitude made him finally certain of his own inexplicable importance. If this had been, as he first thought, a trick played on him in the style of the Duke and the Tinker, so charming a girl (and he thought her more charming every time she flashed down a corridor or disappeared through a door) would certainly have been set to draw him on. If there was a conspiracy, she must be in it; and her part in it would be plain. But she was not playing the part. He caught himself rather wishing she were.

The last stroke came when he heard her saying to Sir Guy, by the accident of two open doors: ‘All say, ‘twas witchcraft; and that God helped the young gentleman only because he was good, and—’

He walked wildly away. He was the kind of academic cavalier, who had learnt all worldly manners in an unworldly cloister. To him, therefore, eavesdropping was in all cases, horrible; in her case, damnable.

On one occasion he plucked up his courage to stop and thank her for having warned him of the danger of the duel.

Her delicate, pale face, always tremulous, became positively troubled. ‘But then I did not know,’ she said. ‘I knew you were not afraid. But I did not know then you were fighting the devils.’

‘Truly, and I do not know it now,’ he answered. ‘By my thinking, I was fighting one man, and no such great fighting at that.’

‘Everybody says it was the devils,’ she said with a beautiful simplicity. ‘My father says so.’

When she had slipped away, Dennis was left meditating: and a new and rather grim impression grew stronger and stronger upon him. The more he heard from servants or strangers, the clearer it was that the local legend was hardening into a tale of himself as exorcist breaking the spell of a warlock.

The youngest boy, Miles, who had been (as usual) down by the river, said the villagers were walking along the bank, looking for the old pool where witches were drowned. Humphrey said it would be no good if they found it, for the tall man with the painted face had gone back to London. But an hour later, Geoffrey came in with other news: the wicked wizard had gone out of Grayling, but the mob had stopped him on the road to Salisbury.

When Tryon bestirred himself with curiosity and alarm and looked out of the Grange gates he found fearful confirmation, almost in the image of a place of pestilence or a city of the dead. The whole population of the two villages of Grayling (save for such non-combatants as the wooden-sworded Bunt) had vanished from their streets and houses. They returned in the dark hour before dawn; and they brought with them the man with the magic sword.

Men in modern England, who have never seen a revolution, who have never seen even a real mob, cannot imagine what the capture of a witch was like. It was for all the populace of that valley a vast rising against an emperor and oppressor, a being taller, more terrible, more universal, than any one would have called either Charles I or Cromwell, even in jest. It was not, as the modern people say, the worrying of some silly old woman. It was for them a revolt against Kehama, the Almighty Man. It was for them a rebellion of the good angels after the victory of Satan. Dorothy Hood was sufficiently frightened of the mob to take Tryon’s hand in the crowd, and hold it in a way that made them understand each other with an intimate tenderness never afterwards dissolved. But it never occurred to her to be sorry for the warlock.

He was standing on the river bank, with his hands tied behind him, but the sword still at his side; no one feeling disposed to meddle with it. His peruke had been torn off; and his cropped head seemed to make more glaring and horrible the unnatural colours of his face. It was like some painted demon mask. But he was quite composed, and even contemptuous. Every now and then people threw things at him, as at one in the pillory; even little Jeremy Bunt flinging his wooden sword, with all the enthusiasm of the Children’s Crusade. But most things missed him and fell into the flowing river behind, into which (there could be little doubt) he himself was to be flung at last.

Il fatto successivo, e ancora più affascinante, fu Sir Guy. Non era, era chiaro, nel senso comune un uomo amabile. Come lo squarcio che aveva ricevuto alla battaglia di Newbury rese il suo volto d’aquila quasi tanto brutto quanto era bello, così le negligenze e le delusioni della sua carriera militare un tempo promettente avevano reso la sua lingua e il suo carattere tanto amari quanto erano sinceri. Eppure Tryon sentiva di dovere la conoscenza stessa di un simile atteggiamento a una confidenza che il vecchio non avrebbe riposto in altri.

‘Il Re ha di nuovo il suo,’ diceva cupamente il vecchio Griffin. ‘Ma temo che sia troppo tardi. Anzi, quasi altrettanto bene potrebbe venire a governarci il Re di Francia quanto il Re d’Inghilterra. Ha riportato con sé donne francesi che recitano nelle commedie di scena come se fossero maschi; e trucchi degni di speziali o prestigiatori a una fiera, e trucchi come quello di costui, che mi strappò via la spada, e a tutti gli altri—finché non trovò il suo maestro, grazie a Dio.’ E sorrise a Tryon, acido, ma con rispetto.

‘Il gentiluomo che ho incontrato,’ chiese Tryon, piuttosto timidamente, ‘è uno della Corte?’

‘Sì,’ rispose il vecchio. ‘Avete guardato il suo volto?’

‘Solo gli occhi,’ disse lo schermidore, sorridendo; ‘sono neri.’

‘Il suo volto è dipinto,’ disse Griffin. ‘È il genere di cose che fanno a Londra. E porta una montagna di finti capelli usciti dalla bottega di un barbiere; e ci va in giro dentro, come la casa di un Jack-in-the-Green. Ma la sua era la migliore spada, come quella del vecchio Noll era il migliore esercito. E che potevamo fare?’

Il terzo fatto, che colpì Dennis Tryon più profondamente di tutti, fu uno scorcio o due della fanciulla che aveva salvato dal turbolento cortigiano. Risultò che era la figlia del parroco, una tale Dorothy Hood, che era spesso di andirivieni alla Grange, ma sempre lo evitava. Egli aveva ogni sorta di delicatezza in sé; e una comprensione dell’atteggiamento di lei lo rese infine certo della propria inspiegabile importanza. Se fosse stato, come dapprima aveva pensato, uno scherzo giocato su di lui nello stile del Duca e del Calderaio, una fanciulla così incantevole (e la trovava più incantevole ogni volta che guizzava lungo un corridoio o scompariva per una porta) sarebbe stata di certo incaricata di adescarlo. Se c’era una cospirazione, doveva farne parte; e la sua parte in essa sarebbe stata evidente. Ma lei non recitava la parte. Si sorprese a desiderare piuttosto che la recitasse.

L’ultimo colpo venne quando la udì dire a Sir Guy, per il caso di due porte aperte: ‘Tutti dicono che era stregoneria; e che Dio aiutò il giovane gentiluomo solo perché era buono, e—’

Egli si allontanò a passi convulsi. Era il genere di cavaliere accademico che aveva appreso tutte le maniere del mondo in un chiostro ultramondano. Per lui, dunque, origliare era in ogni caso orribile; nel caso di lei, dannabile.

In un’occasione si fece coraggio coraggio per fermarsi e ringraziarla di averlo avvertito del pericolo del duello.

Il suo volto delicato e pallido, sempre tremulo, si fece addirittura turbato. ‘Ma allora non lo sapevo,’ disse. ‘Sapevo che non avevate paura. Ma allora non sapevo che vi battevate coi diavoli.’

‘In verità, e non lo so nemmeno adesso,’ rispose lui. ‘A mio giudizio, mi battevo con un solo uomo, e non tanto gran combattere, per giunta.’

‘Tutti dicono che erano i diavoli,’ disse lei con una bella semplicità. ‘Lo dice mio padre.’

Quando lei fu scivolata via, Dennis rimase a meditare: e una nuova e piuttosto cupa impressione crebbe sempre più forte in lui. Più udiva da servi o da estranei, più chiaro era che la leggenda locale si stava indurendo in un racconto di lui stesso come esorcista che spezzava l’incantesimo di uno stregone.

Il ragazzo più giovane, Miles, che era stato (come al solito) giù al fiume, disse che gli abitanti del villaggio camminavano lungo la riva, cercando il vecchio stagno dove annegavano le streghe. Humphrey disse che non sarebbe servito a nulla se lo avessero trovato, perché l’uomo alto dal volto dipinto era tornato a Londra. Ma un’ora dopo Geoffrey entrò con altre notizie: il malvagio mago era uscito da Grayling, ma la folla lo aveva fermato sulla strada per Salisbury.

Quando Tryon si scosse, per curiosità e allarme, e guardò fuori dai cancelli della Grange, trovò una spaventosa conferma, quasi nell’immagine di un luogo di pestilenza o di una città dei morti. L’intera popolazione dei due villaggi di Grayling (salvo i non combattenti come Bunt dalla spada di legno) era svanita dalle loro strade e case. Tornarono nell’ora buia prima dell’alba; e portarono con sé l’uomo dalla spada magica.

Gli uomini nell’Inghilterra moderna, che non hanno mai visto una rivoluzione, che non hanno mai visto nemmeno una vera folla, non possono immaginare cosa fosse la cattura di una strega. Era, per tutta la popolazione di quella valle, una vasta insurrezione contro un imperatore e oppressore, un essere più alto, più terribile, più universale di quanto nessuno avrebbe chiamato Carlo I o Cromwell, nemmeno per scherzo. Non era, come dice la gente moderna, il tormentare qualche sciocca vecchia. Era per loro una rivolta contro Kehama, l’Uomo Onnipotente. Era per loro una ribellione degli angeli buoni dopo la vittoria di Satana. Dorothy Hood era sufficientemente spaventata dalla folla da prendere la mano di Tryon nella calca, e da tenerla in un modo che li fece intendere l’un l’altro con un’intima tenerezza mai più dissolta. Ma non le venne mai in mente di provar pietà per lo stregone.

Egli stava in piedi sulla riva del fiume, con le mani legate dietro, ma la spada ancora al fianco; nessuno disposto a mettervi le mani. La sua parrucca era stata strappata via; e la sua testa rapata sembrava rendere più stridenti e orribili i colori innaturali del suo volto. Era come una qualche maschera di demone dipinta. Ma era del tutto composto, e perfino sprezzante. Di tanto in tanto la gente gli scagliava cose, come a uno alla gogna; perfino il piccolo Jeremy Bunt gli lanciava la sua spada di legno, con tutto l’entusiasmo della Crociata dei Fanciulli. Ma la maggior parte delle cose lo mancava e cadeva nel fiume che scorreva dietro, nel quale (poco poteva esservi dubbio) egli stesso doveva essere gettato alla fine.

Then stood up for an instant in the stormy light, that rare but real spirit, for whose sake alone men have endured aristocracy, or the division of man from man. Sir Guy’s scarred face looked rather unusually sulky, or even spiteful; but he turned to his bodyguard of sons. ‘We must get him back safe to the Grange,’ he said sourly; ‘you boys have all your swords, I think. You had best draw them.’

‘Why?’ asked the staring Humphrey.

‘Why,’ answered his father, ‘because they are conquered swords, like my own.’ And he drew his long blade, that took the white light of the morning.

‘Boys,’ he said, ‘it is in the hand of God if he be warlock or no. But is it to be said of our blood that we brought crowds and clubs to kill a man who had whipped each one of us fairly with the sword? Shall men say that when Griffins met their match they whined about magic? Make a ring round him, and we will bring him alive through a thousand witch-smellers.’

Already a half-ring of naked swords had swung round the victim like a spiked necklace. In those days mobs were much bolder against their masters than they are to-day. But even that mob gave to the Griffins a military reputation beyond their mere territorial rank; and the parties were thus the more equal. There was no sword in that crowd better than a Griffin sword; except the sword that hung useless at the hip of a pinioned man.

Before the next moment, which must have been blood and destruction, the man with the useless sword spoke. ‘If some gentleman,’ he said with marmoreal calm, ‘will but put a hand in the pocket of my doublet, I think bloodshed will be spared.’

There was a long silence; and every one looked at Dennis Tryon: the man who had not feared the wizard. Every one included Dorothy; and Dennis stepped forward. He found a folded piece of paper in the doublet, opened it and read it with more and more wonder on his round young face. At the third sentence he took his hat off. At this the crowd stared more and more: it had fallen suddenly silent and all were conscious of a change and a cooling in that intense air.

‘It would appear,’ he said at last, ‘that this is a privy letter from His Majesty, which I will not read in entirety. But it advises and permits Sir Godfrey Skene to practise with the new Magnetic Sword which the Royal Society has for some little time attempted to manufacture in pursuance of a suggestion of Lord Verulam, the founder of our Natural Philosophy. The whole blade is magnetized; and it is thought it may even pull any other iron weapon out of the hand.’

He paused a moment, in some embarrassment, and then said: ‘It is added that only a weapon of wood or such other material could be used against it.’

Sir Guy turned to him suddenly and said: ‘Is that what you call Natural Philosophy?’

‘Yes,’ replied Tryon.

‘I thank you,’ said Griffin. ‘You need not teach it to my sons.’

Then he strode towards the prisoner, and rent the sword away, bursting the belt that held it.

‘If it were not His Majesty’s own hand,’ he said, ‘I would throw you with it after all.’

The next instant the Magnetic Sword of the Royal Society vanished from men’s view for ever; and Tryon could see nothing but Jeremy’s little cross of wood heaving with the heaving stream.

Allora si levò per un istante, nella luce tempestosa, quel raro ma autentico spirito per amore del quale gli uomini hanno soltanto tollerato l’aristocrazia, ovvero la divisione dell’uomo dall’uomo. Il volto sfregiato di Sir Guy appariva insolitamente imbronciato, o persino astioso; ma egli si volse alla sua scorta di figli. “Dobbiamo riportarlo sano e salvo alla Grange,” disse acido; “voi ragazzi avete tutti le vostre spade, credo. Meglio che le sguainiate.”

“Perché?” chiese Humphrey a occhi sbarrati.

“Perché,” rispose il padre, “sono spade vinte, come la mia.” E sguainò la sua lunga lama, che colse la bianca luce del mattino.

“Ragazzi,” disse, “è nelle mani di Dio se costui sia stregone o no. Ma si dovrà dire del nostro Sangue che abbiamo condotto folle e mazze a uccidere un uomo che aveva battuto ciascuno di noi lealmente con la spada? Si dirà che, quando i Griffin trovarono chi li eguagliasse, guairono contro la magia? Fate cerchio intorno a lui, e lo porteremo vivo attraverso un migliaio di caccia-streghe.”

Già un semicerchio di spade sguainate gli si era stretto intorno alla vittima come una collana di aculei. A quei tempi le folle erano assai più ardite contro i loro padroni di quanto lo siano oggi. Ma anche quella folla riconosceva ai Griffin una reputazione militare superiore al loro semplice rango territoriale; e le parti risultavano perciò più pari. Non c’era spada in quella ressa migliore di una spada Griffin; tranne la spada che pendeva inutile al fianco di un uomo immobilizzato.

Prima dell’attimo seguente, che sarebbe stato sangue e distruzione, l’uomo dalla spada inutile parlò. “Se qualche gentiluomo,” disse con marmorea calma, “vorrà soltanto mettere una mano nella tasca del mio farsetto, credo che si risparmierà lo spargimento di sangue.”

Vi fu un lungo silenzio; e tutti guardarono Dennis Tryon: l’uomo che non aveva temuto lo stregone. Tutti, compresa Dorothy; e Dennis si fece avanti. Trovò un foglio ripiegato nel farsetto, lo aprì e lo lesse con sempre maggiore meraviglia sul tondo volto giovanile. Alla terza frase si tolse il cappello. A ciò la folla lo fissò sempre più: era caduta d’un tratto in silenzio e tutti erano consapevoli di un mutamento e di un raffreddarsi in quell’aria intensa.

“Parrebbe,” disse infine, “che questa sia una lettera privata di Sua Maestà, che non leggerò per intero. Ma essa consiglia e permette a Sir Godfrey Skene di esercitarsi con la nuova Sword Magnetica che la Royal Society da qualche tempo tenta di fabbricare in virtù di un suggerimento di Lord Verulam, fondatore della nostra Filosofia Naturale. L’intera lama è magnetizzata; e si pensa che possa persino strappare qualsiasi altra arma di ferro dalla mano.”

Fece una pausa, con un certo imbarazzo, e poi disse: “Vi si aggiunge che soltanto un’arma di legno o d’altro simile materiale potrebbe essere usata contro di essa.”

Sir Guy si volse a lui d’un tratto e disse: “È questo ciò che voi chiamate Filosofia Naturale?”

“Sì,” rispose Tryon.

“Vi ringrazio,” disse Griffin. “Non c’è bisogno che la insegniate ai miei figli.”

Poi mosse a grandi passi verso il prigioniero, e gli strappò via la spada, spezzando la cintura che la reggeva.

“Se non fosse la mano stessa di Sua Maestà,” disse, “ti scaglierei via insieme ad essa, dopotutto.”

L’istante seguente la Sword Magnetica della Royal Society svanì per sempre dalla vista degli uomini; e Tryon non poté vedere altro che la piccola croce di legno di Jeremy sobbalzante nella corrente sobbalzante.