Beauty

Theme/Concept — appears in 156 work(s).

Works

• pun (Chesterton)
• VariedTypes (Chesterton)
• The Defendant (Chesterton)
• strange-city (Chesterton)
• ALCAEUS TO SAPPHO (Coleridge)
• AN EXPERIMENT FOR A METRE (Coleridge)
• GENEVIEVE (Coleridge)
• GROVE, HIGHGATE SONG, ON HEARING A SONG IN PRAISE OF A LADY’S BEAUTY (Coleridge)
• POEM UPON NOTHING (Coleridge)
• THE ROSE (Coleridge)
• THE THREE SORTS OF FRIENDS (Coleridge)
• THE TWO FOUNTS (Coleridge)
• TO A VAIN YOUNG LADY (Coleridge)
• TO A YOUNG LADY WITH A POEM ON THE FRENCH REVOLUTION (Coleridge)
• TO MISS BRUNTON (Coleridge)
• TO THE EVENING STAR (Coleridge)
• TRANSLATION OF WRANGHAM’S ‘HENDECASYLLABI AD BRUNTONAM E GRANTA EXITURAM’ KAL. OCT.MDCCXC (Coleridge)
• 1068. Further in Summer than the Birds (Dickinson)
• 1131. The Merchant of the Picturesque (Dickinson)
• 1154. A full fed Rose on meals of Tint (Dickinson)
• 120. If this is fading (Dickinson)
• 1275. The Spider as an Artist (Dickinson)
• 1315. Which is the best — the Moon or the Crescent (Dickinson)
• 137. Flowers — Well — if anybody (Dickinson)
• 1434. Go not too near a House of Rose — (Dickinson)
• 1463. A Route of Evanescence (Dickinson)
• 1466. One of the ones that Midas touched (Dickinson)
• 1480. The fascinating chill that music leaves (Dickinson)
• 1540. As imperceptibly as Grief (Dickinson)
• 1568. To see her is a Picture — (Dickinson)
• 1585. The Bird her punctual music brings (Dickinson)
• 1762. Were natural mortal lady (Dickinson)
• 1775. The earth has many keys, (Dickinson)
• 204. A slash of Blue — (Dickinson)
• 219. She sweeps with many-colored Brooms — (Dickinson)
• 228. Blazing in Gold and quenching in Purple (Dickinson)
• 291. How the old Mountains drip with Sunset (Dickinson)
• 294. The Doomed — regard the Sunrise (Dickinson)
• 304. The Day came slow — till Five o’clock — (Dickinson)
• 326. I cannot dance upon my Toes — (Dickinson)
• 328. A Bird came down the Walk — (Dickinson)
• 334. All the letters I can write (Dickinson)
• 374. I went to Heaven — (Dickinson)
• 397. When Diamonds are a Legend, (Dickinson)
• 404. How many Flowers fail in Wood — (Dickinson)
• 449. I died for Beauty — but was scarce (Dickinson)
• 505. I would not paint — a picture — (Dickinson)
• 516. Beauty — be not caused — It Is — (Dickinson)
• 526. To hear an Oriole sing (Dickinson)
• 541. Some such Butterfly be seen (Dickinson)
• 571. Must be a Woe — (Dickinson)
• 572. Delight — becomes pictorial — (Dickinson)
• 627. The Tint I cannot take — is best — (Dickinson)
• 628. They called me to the Window, for (Dickinson)
• 634. You’ll know Her — by Her Foot — (Dickinson)
• 656. The name — of it — is Autumn — (Dickinson)
• 658. Whole Gulfs — of Red, and Fleets — of Red — (Dickinson)
• 666. Ah, Teneriffe! (Dickinson)
• 667. Bloom upon the Mountain — stated — (Dickinson)
• 671. She dwelleth in the Ground — (Dickinson)
• 673. The Love a Life can show Below (Dickinson)
• 691. Would you like summer Taste of ours. (Dickinson)
• 693. Shells from the Coast mistaking — (Dickinson)
• 697. I could bring You Jewels — had I a mind to — (Dickinson)
• 699. The Judge is like the Owl — (Dickinson)
• 737. The Moon was but a Chin of Gold (Dickinson)
• 748. Autumn — overlooked my Knitting — (Dickinson)
• 776. The Color of a Queen, is this — (Dickinson)
• 794. A Drop Fell on the Apple Tree — (Dickinson)
• 805. This Bauble was preferred of Bees — (Dickinson)
• 968. Fitter to see Him, I may be (Dickinson)
• 978. It bloomed and dropt, a Single Noon — (Dickinson)
• On a Portrait (Eliot)
• Endymion - A Poetic Romance (Keats)
• HAPPY IS ENGLAND! I COULD BE CONTENT (Keats)
• Hyperion (Keats)
• IMITATION OF SPENSER (Keats)
• Lamia (Keats)
• Lines (Keats)
• Lines On Seeing a Lock of Milton’s Hair (Keats)
• O! Were I one of the Olympian twelve (Keats)
• ODE ON A GRECIAN URN (Keats)
• ODE ON MELANCHOLY (Keats)
• Oh, I am frighten’d with most hateful thoughts! (Keats)
• Sonnet on Visiting the Tomb of Burns (Keats)
• Sonnet Written in Answer to a Sonnet Ending thus (Keats)
• TO (Keats)
• To G. A. W (Keats)
• To the Ladies who Saw Me Crown’d (Keats)
• Translation from a Sonnet of Ronsard (Keats)
• A Valentine (Poe)
• Al Aaraaf (Poe)
• Evening Star (Poe)
• Israfel (Poe)
• Landor’s Cottage (Poe)
• Mesmeric Revelation (Poe)
• O Marie Louise (shew) (Poe)
• Philosophy of Furniture (Poe)
• Sonnet-To Science (Poe)
• The Assignation (Poe)
• The Domain of Arnheim (Poe)
• The Landscape Garden (Poe)
• To Frances S. Osgood (Poe)
• To Helen (Poe) (2)
• To Helen (Poe)
• To Isadore (Poe)
• To the River— (Poe)
• A Lover’s Complaint (Shakespeare)
• Sonnet 1 (Shakespeare)
• Sonnet 10 (Shakespeare)
• Sonnet 103 (Shakespeare)
• Sonnet 104 (Shakespeare)
• Sonnet 106 (Shakespeare)
• Sonnet 127 (Shakespeare)
• Sonnet 130 (Shakespeare)
• Sonnet 132 (Shakespeare)
• Sonnet 17 (Shakespeare)
• Sonnet 18 (Shakespeare)
• Sonnet 19 (Shakespeare)
• Sonnet 2 (Shakespeare)
• Sonnet 20 (Shakespeare)
• Sonnet 24 (Shakespeare)
• Sonnet 3 (Shakespeare)
• Sonnet 4 (Shakespeare)
• Sonnet 41 (Shakespeare)
• Sonnet 5 (Shakespeare)
• Sonnet 53 (Shakespeare)
• Sonnet 54 (Shakespeare)
• Sonnet 6 (Shakespeare)
• Sonnet 62 (Shakespeare)
• Sonnet 65 (Shakespeare)
• Sonnet 67 (Shakespeare)
• Sonnet 68 (Shakespeare)
• Sonnet 69 (Shakespeare)
• Sonnet 70 (Shakespeare)
• Sonnet 79 (Shakespeare)
• Sonnet 82 (Shakespeare)
• Sonnet 83 (Shakespeare)
• Sonnet 84 (Shakespeare)
• Sonnet 9 (Shakespeare)
• Sonnet 99 (Shakespeare)
• VARIOUS POEMS (Shakespeare)
• VENUS AND ADONIS (Shakespeare)
• A Prairie Sunset (Whitman)
• Italian Music in Dakota (Whitman)
• Out of May’s Shows Selected (Whitman)
• Paumanok (Whitman)
• To a Locomotive in Winter (Whitman)
• De Profundis (Wilde)
• Pen, Pencil and Poison (Wilde)
• The Birthday of the Infanta (Wilde)
• The Critic as Artist (Wilde)
• The Decay of Lying (Wilde)
• The Picture of Dorian Gray (Wilde)
• The Portrait of Mr. W. H. (Wilde)
• The Star-Child (Wilde)
• The Truth of Masks (Wilde)
• The Young King (Wilde)
• Preface to ‘Kai Lung’s Golden Hours’ (Belloc)
• Verses and Sonnets (Belloc)

concept