Melancholy

Theme/Concept — appears in 199 work(s).

Works

• Persuasion (Austen)
• Villette (Bronte)
• manalive (Chesterton)
• Nevercometrue (Chesterton)
• The Modern Manichee (Chesterton)
• The Speaker (Chesterton)
• Tribute To Gladstone (Chesterton)
• A DUNGEON (Coleridge)
• A PLAINTIVE MOVEMENT (Coleridge)
• ADDRESSED TO A YOUNG MAN OF FORTUNE (Coleridge)
• ALLEGORIC VISION (Coleridge)
• DE PROFUNDIS CLAMAVI (Coleridge)
• DEJECTION AN ODE (Coleridge)
• DUTY SURVIVING SELF-LOVE THE ONLY SURE FRIEND OF DECLINING LIFE (Coleridge)
• EPIGRAM ON KEPLER (Coleridge)
• EXPERIMENTS IN METRE (Coleridge)
• FAREWELL TO LOVE (Coleridge)
• HEXAMETERS (Coleridge)
• HOMELESS (Coleridge)
• LINES TO A FRIEND IN ANSWER TO A MELANCHOLY LETTER (Coleridge)
• LINES TO W. L. WHILE HE SANG A SONG TO PURCELL’S MUSIC (Coleridge)
• LINES WRITTEN AT SHURTON BARS, NEAR BRIDGEWATER, SEPTEMBER 1795, IN ANSWER TO A LETTER FROM BRISTOL (Coleridge
• LOVE’S APPARITION AND EVANISHMENT AN ALLEGORIC ROMANCE (Coleridge)
• LOVE’S BURIAL-PLACE (Coleridge)
• MELANCHOLY (Coleridge)
• MONODY ON THE DEATH OF CHATTERTON (Coleridge) (2)
• MONODY ON THE DEATH OF CHATTERTON (Coleridge)
• NETHER STOWEY (Coleridge)
• ON RECEIVING AN ACCOUNT THAT HIS ONLY SISTER’S DEATH WAS INEVITABLE (Coleridge)
• ON SEEING A YOUTH AFFECTIONATELY WELCOMED BY A SISTER (Coleridge)
• PAIN (Coleridge)
• PROSE VERSIONS OF POEMS, ETC. (Coleridge)
• SONNET TO THE AUTUMNAL MOON (Coleridge)
• SONNETS ATTEMPTED IN THE MANNER OF CONTEMPORARY WRITERS (Coleridge)
• THE BLOSSOMING OF THE SOLITARY DATE-TREE (Coleridge)
• THE FADED FLOWER (Coleridge)
• THE GARDEN OF BOCCACCIO (Coleridge)
• THE GENTLE LOOK (Coleridge)
• THE SIGH (Coleridge)
• THE VISIONARY HOPE (Coleridge)
• TO A FRIEND (Coleridge)
• TO A PRIMROSE (Coleridge)
• TO AN UNFORTUNATE WOMAN AT THE THEATRE (Coleridge)
• TO DISAPPOINTMENT (Coleridge)
• TO SIMPLICITY (Coleridge)
• TO THE NIGHTINGALE (Coleridge)
• TO THE REV. W. L. BOWLES (Coleridge)
• TO WILLIAM WORDSWORTH COMPOSED ON THE NIGHT AFTER HIS RECITATION OF A POEM ON THE GROWTH OF AN INDIVIDUAL MIND
• W. L. BOWLES (Coleridge)
• WORK WITHOUT HOPE (Coleridge)
• YOUTH AND AGE (Coleridge)
• 1051. I cannot meet the Spring unmoved — (Dickinson)
• 1113. There is strength in proving that it can be borne (Dickinson)
• 1153. Through what transports of Patience (Dickinson)
• 1168. As old as Woe — (Dickinson)
• 1171. On the World you colored (Dickinson)
• 119. Talk with prudence to a Beggar (Dickinson)
• 1197. I should not dare to be so sad (Dickinson)
• 121. As Watchers hang upon the East, (Dickinson)
• 1243. Safe Despair it is that raves — (Dickinson)
• 125. For each ecstatic instant (Dickinson)
• 1261. A Word dropped careless on a Page (Dickinson)
• 1264. This is the place they hoped before, (Dickinson)
• 1271. September’s Baccalaureate (Dickinson)
• 1281. A stagnant pleasure like a Pool (Dickinson)
• 1285. I know Suspense — it steps so terse (Dickinson)
• 1290. The most pathetic thing I do (Dickinson)
• 1299. Delight’s Despair at setting (Dickinson)
• 1304. Not with a Club, the Heart is broken (Dickinson)
• 1420. One Joy of so much anguish (Dickinson)
• 1495. The Thrill came slowly like a Boom for (Dickinson)
• 1530. A Pang is more conspicuous in Spring (Dickinson)
• 1612. The Auctioneer of Parting (Dickinson)
• 1759. Which misses most, (Dickinson)
• 1764. The saddest noise, the sweetest noise, (Dickinson)
• 192. Poor little Heart! (Dickinson)
• 223. I Came to buy a smile — today — (Dickinson)
• 293. I got so I could take his name — (Dickinson)
• 305. The difference between Despair (Dickinson)
• 329. So glad we are — a Stranger’d deem (Dickinson)
• 335. ‘Tis not that Dying hurts us so — (Dickinson)
• 341. After great pain, a formal feeling comes — (Dickinson)
• 348. I dreaded that first Robin, so, (Dickinson)
• 353. A happy lip — breaks sudden — (Dickinson)
• 362. It struck me — every Day — (Dickinson)
• 364. The Morning after Woe — (Dickinson)
• 379. Rehearsal to Ourselves (Dickinson)
• 396. There is a Languor of the Life (Dickinson)
• 405. It might be lonelier (Dickinson)
• 423. The Months have ends — the Years — a knot — (Dickinson)
• 425. Good Morning — Midnight — (Dickinson)
• 430. It would never be Common — more — I said — (Dickinson)
• 458. Like eyes that looked on Wastes — (Dickinson)
• 462. Why make it doubt — it hurts it so — (Dickinson)
• 471. A Night — there lay the Days between — (Dickinson)
• 477. No Man can compass a Despair — (Dickinson)
• 510. It was not Death, for I stood up, (Dickinson)
• 514. Her smile was shaped like other smiles — (Dickinson)
• 522. Had I presumed to hope — (Dickinson)
• 532. I tried to think a lonelier Thing (Dickinson)
• 536. The Heart asks Pleasure — first — (Dickinson)
• 561. I measure every Grief I meet (Dickinson)
• 562. Conjecturing a Climate (Dickinson)
• 565. One Anguish — in a Crowd — (Dickinson)
• 572. Delight — becomes pictorial — (Dickinson)
• 582. Inconceivably solemn! (Dickinson)
• 584. It ceased to hurt me, though so slow (Dickinson)
• 589. The Night was wide, and furnished scant (Dickinson)
• 592. What care the Dead, for Chanticleer — (Dickinson)
• 599. There is a pain — so utter — (Dickinson)
• 604. Unto my Books — so good to turn — (Dickinson)
• 618. At leisure is the Soul (Dickinson)
• 626. Only God — detect the Sorrow — (Dickinson)
• 627. The Tint I cannot take — is best — (Dickinson)
• 637. The Child’s faith is new — (Dickinson)
• 650. Pain — has an Element of Blank — (Dickinson)
• 660. ‘Tis good — the looking back on Grief — (Dickinson)
• 686. They say that Time assuages — (Dickinson)
• 705. Suspense — is Hostiler than Death — (Dickinson)
• 708. I sometimes drop it, for a Quick — (Dickinson)
• 718. I meant to find Her when I came — (Dickinson)
• 719. A South Wind — has a pathos (Dickinson)
• 734. If He were living — dare I ask — (Dickinson)
• 739. I many times thought Peace had come (Dickinson)
• 743. The Birds reported from the South — (Dickinson)
• 744. Remorse — is Memory — awake — (Dickinson)
• 758. These — saw Visions — (Dickinson)
• 761. From Blank to Blank — (Dickinson)
• 768. When I hoped, I recollect (Dickinson)
• 782. There is an arid Pleasure — (Dickinson)
• 784. Bereaved of all, I went abroad — (Dickinson)
• 786. Severer Service of myself (Dickinson)
• 787. Such is the Force of Happiness — (Dickinson)
• 83. Heart, not so heavy as mine (Dickinson)
• 898. How happy I was if I could forget (Dickinson)
• 963. A nearness to Tremendousness — (Dickinson)
• 965. Denial — is the only fact (Dickinson)
• 985. The Missing All — prevented Me (Dickinson)
• APPENDIX POEMS WRITTEN IN EARLY YOUTH (Eliot)
• Eyes that last I saw in tears (Eliot)
• Spleen (Eliot)
• A Song of Opposites (Keats)
• Epistle to John Hamilton Reynolds (Keats)
• Fill for me a brimming bowl (Keats)
• Hyperion (Keats)
• Lines to Fanny (Keats)
• ODE ON MELANCHOLY (Keats)
• ODE TO A NIGHTINGALE (Keats)
• Song Spirit here that reignest! (Keats)
• Sonnet on Visiting the Tomb of Burns (Keats)
• Sonnet to Byron (Keats)
• Sonnet Written in the Cottage where Burns was Born (Keats)
• Sonnet Why did I laugh tonight No voice will tell (Keats)
• TO HOPE (Keats)
• A Dream (Poe)
• Alone (Poe)
• Annabel Lee (Poe)
• Dream-Land (Poe)
• Dreams (Poe)
• Evening Star (Poe)
• Fairy-Land (Poe)
• For Annie (Poe)
• Imitation (Poe)
• Scenes From Politian (Poe)
• Silence-A Fable (Poe)
• Spirits of the Dead (Poe)
• The Assignation (Poe)
• The City in the Sea (Poe)
• The Forest Reverie (Poe)
• The Happiest Day (Poe)
• The Lake — To— (Poe)
• The Raven (Poe)
• The Sleeper (Poe)
• The Valley of Unrest (Poe)
• The Village Street (Poe)
• To — (Poe)
• To F— (Poe)
• To One in Paradise (Poe)
• Ulalume (Poe)
• AS YOU LIKE IT (Shakespeare)
• HAMLET (Shakespeare)
• Sonnet 29 (Shakespeare)
• Sonnet 30 (Shakespeare)
• Sonnet 44 (Shakespeare)
• Sonnet 45 (Shakespeare)
• Sonnet 49 (Shakespeare)
• Sonnet 50 (Shakespeare)
• Sonnet 66 (Shakespeare)
• TWELFTH NIGHT (Shakespeare)
• As I Ebb’d with the Ocean of Life (Whitman)
• As I Sit Writing Here (Whitman)
• O Me! O Life! (Whitman)
• Scented Herbage of My Breast (Whitman)
• Tears (Whitman)
• With Husky-Haughty Lips, O Sea! (Whitman)
• Yet, Yet, Ye Downcast Hours (Whitman)
• De Profundis (Wilde)
• Verses and Sonnets (Belloc)

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