Topos — appears in 84 work(s).
Works
- Poems (Chesterton)
- arthur (Chesterton)
- kingcole (Chesterton)
- strange-music (Chesterton)
- A STRANGER MINSTREL (Coleridge)
- AD VILMUM AXIOLOGUM (Coleridge)
- ADAPTATIONS (Coleridge)
- IAMBICS (Coleridge)
- MUSOPHILUS (Coleridge)
- NONSENSE SAPPHICS (Coleridge)
- ON DONNE’S POEM ‘TO A FLEA (Coleridge)
- SNOW DROP. (Coleridge)
- THE SNOW-DROP (Coleridge)
- 1009. I was a Phoebe — nothing more — (Dickinson)
- 1183. Step lightly on this narrow spot — (Dickinson)
- 1261. A Word dropped careless on a Page (Dickinson)
- 1475. Fame is the one that does not stay — (Dickinson)
- 1587. He ate and drank the precious Words — (Dickinson)
- 1600. Upon his Saddle sprung a Bird (Dickinson)
- 1651. A Word made Flesh is seldom (Dickinson)
- 307. The One who could repeat the Summer day — (Dickinson)
- 326. I cannot dance upon my Toes — (Dickinson)
- 371. A precious — mouldering pleasure — ‘tis — (Dickinson)
- 397. When Diamonds are a Legend, (Dickinson)
- 448. This was a Poet — It is That (Dickinson)
- 488. Myself was formed — a Carpenter — (Dickinson)
- 544. The Martyr Poets — did not tell — (Dickinson)
- 657. I dwell in Possibility — (Dickinson)
- 675. Essential Oils — are wrung — (Dickinson)
- A Note on War Poetry (Eliot)
- Fragment of an Ode to Maia, (Keats)
- HOW MANY BARDS GILD THE LAPSES OF TIME! (Keats)
- Lines On Seeing a Lock of Milton’s Hair (Keats)
- LINES ON THE MERMAID TAVERN (Keats)
- ODE (Keats)
- Ode to Apollo (Keats)
- On Receiving a Laurel Crown from Leigh Hunt (Keats)
- SLEEP AND POETRY (Keats)
- Sonnet on Sitting Down to Read King Lear Once Again (Keats)
- Sonnet to Chatterton (Keats)
- Sonnet Written in the Cottage where Burns was Born (Keats)
- Sonnet When I have fears that I may cease to be (Keats)
- To a Young Lady who Sent Me a Laurel Crown (Keats)
- TO MY BROTHER GEORGE (Keats)
- WRITTEN ON THE DAY THAT MR. LEIGH HUNT LEFT PRISON (Keats)
- A Valentine (Poe)
- An Enigma (Poe)
- Hymn to Aristogeiton and Harmodius (Poe)
- Romance (Poe)
- The Forest Reverie (Poe)
- Sonnet 100 (Shakespeare)
- Sonnet 101 (Shakespeare)
- Sonnet 107 (Shakespeare)
- Sonnet 122 (Shakespeare)
- Sonnet 15 (Shakespeare)
- Sonnet 17 (Shakespeare)
- Sonnet 18 (Shakespeare)
- Sonnet 19 (Shakespeare)
- Sonnet 38 (Shakespeare)
- Sonnet 54 (Shakespeare)
- Sonnet 55 (Shakespeare)
- Sonnet 60 (Shakespeare)
- Sonnet 63 (Shakespeare)
- Sonnet 65 (Shakespeare)
- Sonnet 74 (Shakespeare)
- Sonnet 81 (Shakespeare)
- VARIOUS POEMS (Shakespeare)
- As Consequent, Etc. (Whitman)
- As the Greek’s Signal Flame (Whitman)
- By Broad Potomac’s Shore (Whitman)
- Crossing Brooklyn Ferry (Whitman)
- Full of Life Now (Whitman)
- Good-Bye My Fancy! (Whitman)
- L. of G.’s Purport (Whitman)
- Long, Long Hence (Whitman)
- Not Meagre, Latent Boughs Alone (Whitman)
- Not the Pilot (Whitman)
- Now Precedent Songs, Farewell (Whitman)
- O Me! O Life! (Whitman)
- Out from Behind This Mask To Confront a Portrait (Whitman)
- Poets to Come (Whitman)
- So Long! (Whitman)
- To the Leaven’d Soil They Trod (Whitman)
- Washington’s Monument February, 1885 (Whitman)
- The Critic as Artist (Wilde)
- The Portrait of Mr. W. H. (Wilde)
- The Sphinx (Wilde)
- Through the Magic Door (Conan Doyle)
- Preface to ‘Kai Lung’s Golden Hours’ (Belloc)