Motif — appears in 138 work(s).
Works
- Jane Eyre (Bronte)
- innocence (Chesterton)
- suprise (Chesterton)
- Tremendous Trifles (Chesterton)
- BalladStBarbara (Chesterton)
- unborn (Chesterton)
- HIFTS (Chesterton)
- On Darwinism and Mystery (Chesterton)
- nightmare (Chesterton)
- thursday (Chesterton)
- ALCAEUS TO SAPPHO (Coleridge)
- ALLA SUA AMICA (Coleridge)
- APOLOGIA PRO VITA SUA (Coleridge)
- BEN JONSON A NYMPH’S PASSION (Coleridge)
- GROVE, HIGHGATE SONG, ON HEARING A SONG IN PRAISE OF A LADY’S BEAUTY (Coleridge)
- HEXAMETERS (Coleridge)
- INSCRIPTION FOR A TIME-PIECE (Coleridge)
- REASON FOR LOVE’S BLINDNESS (Coleridge)
- TIME, REAL AND IMAGINARY (Coleridge)
- TO A CRITIC (Coleridge)
- 1018. Who saw no Sunrise cannot say (Dickinson)
- 1039. I heard, as if I had no Ear (Dickinson)
- 1195. What we see we know somewhat (Dickinson)
- 1284. Had we our senses (Dickinson)
- 1426. The pretty Rain from those sweet Eaves (Dickinson)
- 1490. The Face in evanescence lain (Dickinson)
- 1496. All that I do (Dickinson)
- 1650. A lane of Yellow led the eye (Dickinson)
- 167. To learn the Transport by the Pain (Dickinson)
- 181. I lost a World — the other day! (Dickinson)
- 201. Two swimmers wrestled on the spar — (Dickinson)
- 205. I should not dare to leave my friend, (Dickinson)
- 305. The difference between Despair (Dickinson)
- 327. Before I got my eye put out (Dickinson)
- 351. I felt my life with both my hands (Dickinson)
- 355. ‘Tis Opposites — entice — (Dickinson)
- 369. She lay as if at play (Dickinson)
- 375. The Angle of a Landscape — (Dickinson)
- 398. I had not minded — Walls — (Dickinson)
- 412. I read my sentence — steadily — (Dickinson)
- 419. We grow accustomed to the Dark — (Dickinson)
- 420. You’ll know it — as you know ‘tis Noon — (Dickinson)
- 421. A Charm invests a face (Dickinson)
- 429. The Moon is distant from the Sea — (Dickinson)
- 451. The Outer — from the Inner (Dickinson)
- 458. Like eyes that looked on Wastes — (Dickinson)
- 474. They put Us far apart — (Dickinson)
- 500. Within my Garden, rides a Bird (Dickinson)
- 547. I’ve seen a Dying Eye (Dickinson)
- 552. An ignorance a Sunset (Dickinson)
- 561. I measure every Grief I meet (Dickinson)
- 566. A Dying Tiger — moaned for Drink — (Dickinson)
- 571. Must be a Woe — (Dickinson)
- 622. To know just how He suffered — would be dear — (Dickinson)
- 625. ‘Twas a long Parting — but the time (Dickinson)
- 627. The Tint I cannot take — is best — (Dickinson)
- 648. Promise This — When You be Dying — (Dickinson)
- 696. Their Height in Heaven comforts not — (Dickinson)
- 703. Out of sight What of that (Dickinson)
- 722. Sweet Mountains — Ye tell Me no lie — (Dickinson)
- 745. Renunciation — is a piercing Virtue — (Dickinson)
- 752. So the Eyes accost — and sunder (Dickinson)
- 758. These — saw Visions — (Dickinson)
- 788. Joy to have merited the Pain — (Dickinson)
- 840. I cannot buy it — ‘tis not sold — (Dickinson)
- 894. Of Consciousness, her awful Mate (Dickinson)
- 906. The Admirations — and Contempts — of time — (Dickinson)
- 971. Robbed by Death — but that was easy — (Dickinson)
- 993. We miss Her, not because We see — (Dickinson)
- 998. Best Things dwell out of Sight (Dickinson)
- Eyes that last I saw in tears (Eliot)
- IX Son of Man, behold with thine eyes, and hear with thine ears (Eliot)
- MINOR POEMS (Eliot)
- On a Portrait (Eliot)
- THE HOLLOW MEN 1925 (Eliot)
- Fill for me a brimming bowl (Keats)
- Sonnet to Homer (Keats)
- Sonnet Written in Answer to a Sonnet Ending thus (Keats)
- TO (Keats)
- To G. A. W (Keats)
- To — (Keats)
- A Predicament (Poe)
- A Valentine (Poe)
- Berenice (Poe)
- Imitation (Poe)
- Lionizing (Poe)
- Metzengerstein (Poe)
- Song (Poe)
- The Black Cat (Poe)
- The Man of the Crowd (Poe)
- The Man That Was Used Up (Poe)
- The Murders in the Rue Morgue (Poe)
- The Sphinx (Poe)
- The Tell-Tale Heart (Poe)
- To — (Poe) (2)
- To Helen (Poe) (2)
- To Isadore (Poe)
- To Marie Louise (shew) (Poe)
- To the River— (Poe)
- A Lover’s Complaint (Shakespeare)
- MUCH ADO ABOUT NOTHING (Shakespeare)
- OTHELLO (Shakespeare)
- Sonnet 113 (Shakespeare)
- Sonnet 114 (Shakespeare)
- Sonnet 119 (Shakespeare)
- Sonnet 121 (Shakespeare)
- Sonnet 127 (Shakespeare)
- Sonnet 130 (Shakespeare)
- Sonnet 132 (Shakespeare)
- Sonnet 133 (Shakespeare)
- Sonnet 137 (Shakespeare)
- Sonnet 139 (Shakespeare)
- Sonnet 14 (Shakespeare)
- Sonnet 141 (Shakespeare)
- Sonnet 148 (Shakespeare)
- Sonnet 149 (Shakespeare)
- Sonnet 150 (Shakespeare)
- Sonnet 152 (Shakespeare)
- Sonnet 153 (Shakespeare)
- Sonnet 20 (Shakespeare)
- Sonnet 23 (Shakespeare)
- Sonnet 24 (Shakespeare)
- Sonnet 43 (Shakespeare)
- Sonnet 46 (Shakespeare)
- Sonnet 47 (Shakespeare)
- Sonnet 61 (Shakespeare)
- Sonnet 69 (Shakespeare)
- Sonnet 7 (Shakespeare)
- Sonnet 83 (Shakespeare)
- Sonnet 93 (Shakespeare)
- THE HISTORY OF KING LEAR - THE QUARTO TEXT (Shakespeare)
- THE TRAGEDY OF KING LEAR - THE FOLIO TEXT (Shakespeare)
- City of Orgies (Whitman)
- Faces (Whitman)
- I Sit and Look Out (Whitman)
- O Tan-Faced Prairie-Boy (Whitman)
- To a Stranger (Whitman)
- La Sainte Courtisane (Wilde)
- Salome (Wilde)
- The Birthday of the Infanta (Wilde)
- The Happy Prince (Wilde)
- The Portrait of Mr. W. H. (Wilde)
- The Sphinx Without a Secret (Wilde)
- The Parasite (Conan Doyle)