Theme/Concept — appears in 191 work(s).
Works
- A Shy Bird (Chesterton)
- All I Survey (Chesterton)
- AllThingsConsidered-8 (Chesterton)
- ApprAndCritOfChDickens (Chesterton)
- artist (Chesterton)
- CharlesDickens (Chesterton)
- Common Man (Chesterton)
- dickens Britannica (Chesterton)
- ephemeral (Chesterton)
- Fancies Versis Fads (Chesterton)
- frenchenglish (Chesterton)
- gargoyles (Chesterton)
- GKC All is Grist (Chesterton)
- GKC Come to Think (Chesterton)
- Humour (Chesterton)
- ILN-1930-04-19 (Chesterton)
- intro-love-and-freindship (Chesterton)
- New Fiction (Chesterton)
- penny-dreadfuls (Chesterton)
- pun (Chesterton)
- Robert Browning (Chesterton)
- Robert Louis Stevenson (Chesterton)
- Shaw (Chesterton)
- Spice Of Life (Chesterton)
- The Glass Walking Stick (Chesterton)
- The Speaker (Chesterton)
- The Uses of Diversity (Chesterton)
- tolstoy (Chesterton)
- Twelve Types (Chesterton)
- Two Kinds of Paradox (Chesterton)
- VariedTypes (Chesterton)
- Victorian Age (Chesterton)
- Wild Ducks (Chesterton)
- heret12 (Chesterton)
- A CHARACTER (Coleridge)
- A DIALOGUE BETWEEN AN AUTHOR AND HIS FRIEND (Coleridge)
- A STRANGER MINSTREL (Coleridge)
- A TOMBLESS EPITAPH (Coleridge)
- AD VILMUM AXIOLOGUM (Coleridge)
- ADAPTATIONS (Coleridge)
- AN INVOCATION (Coleridge)
- APOLOGETIC PREFACE TO ‘FIRE, FAMINE, AND SLAUGHTER’ (Coleridge)
- APOLOGIA PRO VITA SUA (Coleridge)
- AUTHORS AND PUBLISHERS (Coleridge)
- EPIGRAM ON KEPLER (Coleridge)
- FOR A HOUSE-DOG’S COLLAR (Coleridge)
- LINES TO A COMIC AUTHOR, ON AN ABUSIVE REVIEW (Coleridge)
- METRICAL FEET (Coleridge)
- MODERN CRITICS (Coleridge)
- MONODY ON THE DEATH OF CHATTERTON (Coleridge) (2)
- MONODY ON THE DEATH OF CHATTERTON (Coleridge)
- NONSENSE SAPPHICS (Coleridge)
- NOT A CRITIC — BUT A JUDGE (Coleridge)
- NOTES BY PROFESSOR SAINTSBURY (Coleridge)
- OF BALIOL COLLEGE, OXFORD, AUTHOR OF THE ‘RETROSPECT’, AND OTHER POEMS (Coleridge)
- ON OBSERVING A BLOSSOM ON THE FIRST OF FEBRUARY 1796 (Coleridge)
- SONNETS ATTEMPTED IN THE MANNER OF CONTEMPORARY WRITERS (Coleridge)
- SONNETS ON EMINENT CHARACTERS (Coleridge)
- THE SILVER THIMBLE (Coleridge)
- THE TASTE OF THE TIMES (Coleridge)
- TO A FRIEND CHARLES LAMB WHO HAD DECLARED HIS INTENTION OF WRITING NO MORE POETRY (Coleridge)
- TO A WELL-KNOWN MUSICAL CRITIC, REMARKABLE FOR HIS EARS STICKING THROUGH HIS HAIR (Coleridge)
- TO MATILDA BETHAM FROM A STRANGER (Coleridge)
- TO MISS BRUNTON (Coleridge)
- TO MY CANDLE (Coleridge)
- TO RICHARD BRINSLEY SHERIDAN, ESQ. (Coleridge)
- TO SIMPLICITY (Coleridge)
- TO THE AUTHOR OF POEMS (Coleridge)
- TO THE AUTHOR OF ‘THE ROBBERS’ (Coleridge)
- TO THE MUSE (Coleridge)
- TO THE REV. W. L. BOWLES (Coleridge)
- TO THE YOUNG ARTIST KAYSER OF KASERWERTH (Coleridge)
- TO WILLIAM WORDSWORTH COMPOSED ON THE NIGHT AFTER HIS RECITATION OF A POEM ON THE GROWTH OF AN INDIVIDUAL MIND
- TRANSLATION OF WRANGHAM’S ‘HENDECASYLLABI AD BRUNTONAM E GRANTA EXITURAM’ KAL. OCT.MDCCXC (Coleridge)
- WRITTEN IN AN ALBUM (Coleridge)
- Sketches by Boz (Dickens)
- 1025. The Products of my Farm are these (Dickinson)
- 1048. Reportless Subjects, to the Quick (Dickinson)
- 1059. Sang from the Heart, Sire, (Dickinson)
- 1126. Shall I take thee, the Poet said (Dickinson)
- 1129. Tell all the Truth but tell it slant — (Dickinson)
- 1261. A Word dropped careless on a Page (Dickinson)
- 1275. The Spider as an Artist (Dickinson)
- 1446. His Mind like Fabrics of the East (Dickinson)
- 1475. Fame is the one that does not stay — (Dickinson)
- 148. All overgrown by cunning moss, (Dickinson)
- 1600. Upon his Saddle sprung a Bird (Dickinson)
- 167. To learn the Transport by the Pain (Dickinson)
- 179. If I could bribe them by a Rose (Dickinson)
- 291. How the old Mountains drip with Sunset (Dickinson)
- 307. The One who could repeat the Summer day — (Dickinson)
- 308. I send Two Sunsets — (Dickinson)
- 312. Her — last Poems — (Dickinson)
- 320. We play at Paste — (Dickinson)
- 326. I cannot dance upon my Toes — (Dickinson)
- 441. This is my letter to the World (Dickinson)
- 448. This was a Poet — It is That (Dickinson)
- 488. Myself was formed — a Carpenter — (Dickinson)
- 544. The Martyr Poets — did not tell — (Dickinson)
- 569. I reckon — when I count it all — (Dickinson)
- 581. I found the words to every thought (Dickinson)
- 593. I think I was enchanted (Dickinson)
- 604. Unto my Books — so good to turn — (Dickinson)
- 605. The Spider holds a Silver Ball (Dickinson)
- 613. They shut me up in Prose — (Dickinson)
- 657. I dwell in Possibility — (Dickinson)
- 675. Essential Oils — are wrung — (Dickinson)
- 709. Publication — is the Auction (Dickinson)
- 713. Fame of Myself, to justify, (Dickinson)
- 741. Drama’s Vitallest Expression is the Common Day (Dickinson)
- 880. The Bird must sing to earn the Crumb (Dickinson)
- A Note on War Poetry (Eliot)
- Also by T. S. Eliot (Eliot)
- IX Son of Man, behold with thine eyes, and hear with thine ears (Eliot)
- THE CONFIDENTIAL CLERK (Eliot)
- Y, Z (Eliot)
- ADDRESSED TO HAYDON (Keats)
- ADDRESSED TO THE SAME (Keats)
- Fame, like a wayward Giri, will still be coy (Keats)
- Ode on Indolence (Keats)
- SLEEP AND POETRY (Keats)
- Sonnet on the Sonnet (Keats)
- Sonnet to Byron (Keats)
- Sonnet to Spenser (Keats)
- The Fall of Hyperion (Keats)
- TO GEORGE FELTON MATHEW (Keats)
- To Haydon (Keats)
- Two or Three (Keats)
- WRITTEN ON THE DAY THAT MR. LEIGH HUNT LEFT PRISON (Keats)
- How to Write a Blackwood Article (Poe)
- Israfel (Poe)
- Landor’s Cottage (Poe)
- Lionizing (Poe)
- Never Bet the Devil your Head (Poe)
- Romance (Poe)
- Sonnet-To Science (Poe)
- The Domain of Arnheim (Poe)
- The Landscape Garden (Poe)
- The Literary Life of Thingum Bob, Esq (Poe)
- LOVE’S LABOUR’S WON - A BRIEF ACCOUNT (Shakespeare)
- Sonnet 100 (Shakespeare)
- Sonnet 101 (Shakespeare)
- Sonnet 103 (Shakespeare)
- Sonnet 111 (Shakespeare)
- Sonnet 112 (Shakespeare)
- Sonnet 21 (Shakespeare)
- Sonnet 38 (Shakespeare)
- Sonnet 76 (Shakespeare)
- Sonnet 78 (Shakespeare)
- Sonnet 79 (Shakespeare)
- Sonnet 80 (Shakespeare)
- Sonnet 82 (Shakespeare)
- Sonnet 83 (Shakespeare)
- Sonnet 84 (Shakespeare)
- Sonnet 85 (Shakespeare)
- Sonnet 86 (Shakespeare)
- A Font of Type (Whitman)
- As I Ponder’d in Silence (Whitman)
- As the Greek’s Signal Flame (Whitman)
- By Blue Ontario’s Shore (Whitman)
- Complete Prose Works Specimen Days and Collect, November Boughs and Goodbye My Fancy (Whitman)
- L. of G.’s Purport (Whitman)
- Laws for Creations (Whitman)
- No Labor-Saving Machine (Whitman)
- O Me! O Life! (Whitman)
- Old Chants (Whitman)
- Others May Praise What They Like (Whitman)
- Poets to Come (Whitman)
- Shut Not Your Doors (Whitman)
- Sometimes with One I Love (Whitman)
- Song of the Answerer (Whitman)
- Song of the Exposition (Whitman)
- Spirit That Form’d This Scene (Whitman)
- The Unexpress’d (Whitman)
- The United States to Old World Critics (Whitman)
- To a Certain Cantatrice (Whitman)
- To a Certain Civilian (Whitman)
- To Get the Final Lilt of Songs (Whitman)
- To Rich Givers (Whitman)
- Vocalism (Whitman)
- When the Full-Grown Poet Came (Whitman)
- Pen, Pencil and Poison (Wilde)
- The Critic as Artist (Wilde)
- The Decay of Lying (Wilde)
- The Model Millionaire (Wilde)
- The Nightingale and the Rose (Wilde)
- The Picture of Dorian Gray (Wilde)
- The Portrait of Mr. W. H. (Wilde)
- The Soul of Man under Socialism (Wilde)
- The Truth of Masks (Wilde)
- The Mind of the Maker (Sayers)
- The Future of Canadian Literature (Conan Doyle)
- Preface to ‘Kai Lung’s Golden Hours’ (Belloc)
- The Missing Masterpiece (Belloc)