Motif — appears in 164 work(s).
Works
- A Shy Bird (Chesterton)
- cockneys (Chesterton)
- kingcole (Chesterton)
- Nevercometrue (Chesterton)
- strange-music (Chesterton)
- The Flying Inn (Chesterton)
- The Ballad of the White Horse (Chesterton)
- Magic (Chesterton)
- Shaw (Chesterton)
- child psychology (Chesterton)
- A PLAINTIVE MOVEMENT (Coleridge)
- A SIMILE (Coleridge)
- A STRANGER MINSTREL (Coleridge)
- AD LYRAM. (Coleridge)
- AD VILMUM AXIOLOGUM (Coleridge)
- DEJECTION AN ODE (Coleridge)
- FAITH, HOPE, AND CHARITY FROM THE ITALIAN OF GUARINI (Coleridge)
- FRAGMENTS FROM A NOTEBOOK (Coleridge)
- IMITATIONS AD LYRAM (Coleridge)
- LESSING (Coleridge)
- LINES COMPOSED IN A CONCERT-ROOM (Coleridge)
- LINES TO W. L. WHILE HE SANG A SONG TO PURCELL’S MUSIC (Coleridge)
- LOVE (Coleridge)
- MUSIC (Coleridge)
- ON A VOLUNTEER SINGER (Coleridge)
- PAIN (Coleridge)
- STOLBERG (Coleridge) (3)
- THE EOLIAN HARP (Coleridge)
- THE HAPPY HUSBAND (Coleridge)
- THE SNOW-DROP (Coleridge)
- TO MATILDA BETHAM FROM A STRANGER (Coleridge)
- TO RICHARD BRINSLEY SHERIDAN, ESQ. (Coleridge)
- TO THE NIGHTINGALE (Coleridge)
- TO THE REV. W. J. HORT WHILE TEACHING A YOUNG LADY SOME SONG-TUNES ON HIS FLUTE (Coleridge)
- TO THE REV. W. L. BOWLES (Coleridge)
- TROCHAICS (Coleridge)
- The Cricket on the Hearth (Dickens)
- The Mystery of Edwin Drood (Dickens)
- 1059. Sang from the Heart, Sire, (Dickinson)
- 1061. Three Weeks passed since I had seen Her — (Dickinson)
- 1084. At Half past Three, a single Bird (Dickinson)
- 1102. His Bill is clasped — his Eye forsook — (Dickinson)
- 1104. The Crickets sang (Dickinson)
- 1265. The most triumphant Bird I ever knew or met (Dickinson)
- 1279. The Way to know the Bobolink (Dickinson)
- 1304. Not with a Club, the Heart is broken (Dickinson)
- 1420. One Joy of so much anguish (Dickinson)
- 1465. Before you thought of Spring (Dickinson)
- 1466. One of the ones that Midas touched (Dickinson)
- 1480. The fascinating chill that music leaves (Dickinson)
- 1568. To see her is a Picture — (Dickinson)
- 157. Musicians wrestle everywhere — (Dickinson)
- 1576. The Spirit lasts — but in what mode — (Dickinson)
- 1585. The Bird her punctual music brings (Dickinson)
- 1591. The Bobolink is gone — (Dickinson)
- 1600. Upon his Saddle sprung a Bird (Dickinson)
- 161. A feather from the Whippoorwill (Dickinson)
- 1630. As from the earth the light Balloon (Dickinson)
- 167. To learn the Transport by the Pain (Dickinson)
- 1761. A train went through a burial gate, (Dickinson)
- 1764. The saddest noise, the sweetest noise, (Dickinson)
- 1775. The earth has many keys, (Dickinson)
- 179. If I could bribe them by a Rose (Dickinson)
- 183. I’ve heard an Organ talk, sometimes (Dickinson)
- 24. There is a morn by men unseen — (Dickinson)
- 297. It’s like the Light — (Dickinson)
- 302. Like Some Old fashioned Miracle (Dickinson)
- 312. Her — last Poems — (Dickinson)
- 315. He fumbles at your Soul (Dickinson)
- 321. Of all the Sounds despatched abroad, (Dickinson)
- 324. Some keep the Sabbath going to Church — (Dickinson)
- 326. I cannot dance upon my Toes — (Dickinson)
- 348. I dreaded that first Robin, so, (Dickinson)
- 364. The Morning after Woe — (Dickinson)
- 367. Over and over, like a Tune — (Dickinson)
- 410. The first Day’s Night had come — (Dickinson)
- 436. The Wind — tapped like a tired Man — (Dickinson)
- 5. I have a Bird in spring (Dickinson)
- 503. Better — than Music! For I — who heard it — (Dickinson)
- 505. I would not paint — a picture — (Dickinson)
- 526. To hear an Oriole sing (Dickinson)
- 616. I rose — because He sank — (Dickinson)
- 634. You’ll know Her — by Her Foot — (Dickinson)
- 635. I think the longest Hour of all (Dickinson)
- 653. Of Being is a Bird (Dickinson)
- 673. The Love a Life can show Below (Dickinson)
- 699. The Judge is like the Owl — (Dickinson)
- 706. Life, and Death, and Giants — (Dickinson)
- 733. The Spirit is the Conscious Ear. (Dickinson)
- 746. Never for Society (Dickinson)
- 755. No Bobolink — reverse His Singing (Dickinson)
- 774. It is a lonesome Glee — (Dickinson)
- 783. The Birds begun at Four o’clock — (Dickinson)
- 797. By my Window have I for Scenery (Dickinson)
- 83. Heart, not so heavy as mine (Dickinson)
- 850. I sing to use the Waiting (Dickinson)
- 861. Split the Lark — and you’ll find the Music — (Dickinson)
- 880. The Bird must sing to earn the Crumb (Dickinson)
- Conversation Galante (Eliot)
- III At the first turning of the second stair (Eliot)
- Portrait of a Lady (Eliot)
- Sweeney Agonistes (Eliot)
- The Old Gumbie Cat (Eliot)
- Apollo and the Graces (Keats)
- HOW MANY BARDS GILD THE LAPSES OF TIME! (Keats)
- Hyperion (Keats)
- Lines On Seeing a Lock of Milton’s Hair (Keats)
- ODE (Keats)
- ODE ON A GRECIAN URN (Keats)
- ODE TO A NIGHTINGALE (Keats)
- Ode to Apollo (Keats)
- ON RECEIVING A CURIOUS SHELL, AND A COPY OF VERSES, FROM THE SAME LADIES (Keats)
- ON THE GRASSHOPPER AND CRICKET (Keats)
- Sonnet on Hearing the Bagpipe and (Keats)
- Sonnet on the Sonnet (Keats)
- Sonnet to Byron (Keats)
- TO AUTUMN (Keats)
- Al Aaraaf (Poe)
- Israfel (Poe)
- Lenore (Poe)
- Romance (Poe)
- Scenes From Politian (Poe)
- The Assignation (Poe)
- The Bells (Poe)
- The Devil in the Belfry (Poe)
- The Haunted Palace (Poe)
- To Isadore (Poe)
- Sonnet 102 (Shakespeare)
- Sonnet 128 (Shakespeare)
- Sonnet 8 (Shakespeare)
- THE TEMPEST (Shakespeare)
- THE TWO GENTLEMEN OF VERONA (Shakespeare)
- TWELFTH NIGHT (Shakespeare)
- After the Dazzle of Day (Whitman)
- Beat! Beat! Drums! (Whitman)
- Beginning My Studies (Whitman)
- Drum-Taps (Whitman)
- From Paumanok Starting I Fly Like a Bird (Whitman)
- I Hear America Singing (Whitman)
- I Heard You Solemn-Sweet Pipes of the Organ (Whitman)
- Interpolation Sounds (Whitman)
- Italian Music in Dakota (Whitman)
- My Canary Bird (Whitman)
- No Labor-Saving Machine (Whitman)
- Not Heaving from My Ribb’d Breast Only (Whitman)
- Not Youth Pertains to Me (Whitman)
- Now Precedent Songs, Farewell (Whitman)
- Of That Blithe Throat of Thine (Whitman)
- Old Chants (Whitman)
- One’s-Self I Sing (Whitman)
- Proud Music of the Storm (Whitman)
- Sometimes with One I Love (Whitman)
- Sounds of the Winter (Whitman)
- That Music Always Round Me (Whitman)
- The Dead Tenor (Whitman)
- The Mystic Trumpeter (Whitman)
- The Singer in the Prison (Whitman)
- The Voice of the Rain (Whitman)
- To a Certain Cantatrice (Whitman)
- To a Certain Civilian (Whitman)
- To Get the Final Lilt of Songs (Whitman)
- Vocalism (Whitman)
- Wandering at Morn (Whitman)
- Year That Trembled and Reel’d Beneath Me (Whitman)
- Salome (Wilde)
- The Critic as Artist (Wilde)
- The Nightingale and the Rose (Wilde)
- Songs of Action (Conan Doyle)
- Waterloo (Conan Doyle)
- On Everything (Belloc)