Romantic Love

Theme/Concept — appears in 435 work(s).

Works

• Emma (Austen)
• Lady Susan (Austen)
• Mansfield Park (Austen)
• Northanger Abbey (Austen)
• Persuasion (Austen)
• Pride and Prejudice (Austen)
• Sense and Sensibility (Austen)
• Agnes Grey (Bronte)
• Jane Eyre (Bronte)
• Shirley (Bronte)
• The Professor (Bronte)
• The Tenant of Wildfell Hall (Bronte)
• Villette (Bronte)
• Wuthering Heights (Bronte)
• Don Quixote (Chesterton)
• great-minimum (Chesterton)
• last hero (Chesterton)
• lovers (Chesterton)
• manalive (Chesterton)
• Nevercometrue (Chesterton)
• Poems (Chesterton)
• rash vows (Chesterton)
• Robert Browning (Chesterton)
• sin (Chesterton)
• strange-music (Chesterton)
• The Flying Inn (Chesterton)
• to-frances (Chesterton)
• Magic (Chesterton)
• St Francis (Chesterton)
• ball and cross (Chesterton)
• longbow2 (Chesterton)
• A BECK IN WINTER (Coleridge)
• A DAY-DREAM (Coleridge)
• A SIMILE (Coleridge)
• ADAPTATIONS (Coleridge)
• ALCAEUS TO SAPPHO (Coleridge)
• ALLA SUA AMICA (Coleridge)
• AN ANGEL VISITANT (Coleridge)
• AN EXPERIMENT FOR A METRE (Coleridge)
• AN ODE IN THE MANNER OF ANACREON (Coleridge)
• ANNA AND HARLAND (Coleridge)
• ANSWER TO A CHILD’S QUESTION (Coleridge)
• BEN JONSON A NYMPH’S PASSION (Coleridge)
• CATULLIAN HENDECASYLLABLES (Coleridge)
• COMPOSED WHILE CLIMBING THE LEFT ASCENT OF BROCKLEY COOMB, (Coleridge)
• DE PROFUNDIS CLAMAVI (Coleridge)
• DES KNABEN WUNDERHORN (Coleridge)
• ELISA (Coleridge)
• EPITAPHIUM TESTAMENTARIUM (Coleridge)
• FAREWELL TO LOVE (Coleridge)
• FIRST ADVENT OF LOVE (Coleridge)
• FIRST DRAFT AN EFFUSION AT EVENING (Coleridge)
• FIRST DRAFTS, EARLY VERSIONS, ETC. (Coleridge)
• FRAGMENT OF AN ODE ON NAPOLEON (Coleridge)
• FROM ZAPOLYA (Coleridge)
• GENEVIEVE (Coleridge)
• GOETHE (Coleridge)
• GROVE, HIGHGATE SONG, ON HEARING A SONG IN PRAISE OF A LADY’S BEAUTY (Coleridge)
• I (Coleridge)
• IMITATED FROM OSSIAN (Coleridge)
• IMITATED FROM THE WELSH (Coleridge)
• JULIA (Coleridge)
• KISSES (Coleridge)
• LESSING (Coleridge)
• LEWTI OR THE CIRCASSIAN LOVE-CHAUNT (Coleridge)
• LINES IN THE MANNER OF SPENSER (Coleridge)
• LINES ON AN AUTUMNAL EVENING (Coleridge)
• LINES WRITTEN AT SHURTON BARS, NEAR BRIDGEWATER, SEPTEMBER 1795, IN ANSWER TO A LETTER FROM BRISTOL (Coleridge
• LOVE (Coleridge)
• LOVE AND FRIENDSHIP OPPOSITE (Coleridge)
• LOVE’S BURIAL-PLACE (Coleridge)
• LOVE’S SANCTUARY (Coleridge)
• NAMES (Coleridge)
• NIL PEJUS EST CAELIBE VITÆ (Coleridge)
• NOT AT HOME (Coleridge)
• ON A LADY WEEPING (Coleridge)
• OSORIO (Coleridge)
• OVER MY COTTAGE (Coleridge)
• PHANTOM (Coleridge)
• PHANTOM OR FACT A DIALOGUE IN VERSE (Coleridge)
• PHILADELPHIA (Coleridge)
• PROSE VERSIONS OF POEMS, ETC. (Coleridge)
• REASON FOR LOVE’S BLINDNESS (Coleridge)
• RECOLLECTIONS OF LOVE (Coleridge)
• SENTIMENTAL (Coleridge)
• SEPARATION (Coleridge)
• SOMETHING CHILDISH, BUT VERY NATURAL (Coleridge)
• SONNET TO A FRIEND WHO ASKED, HOW I FELT WHEN THE NURSE FIRST PRESENTED MY INFANT TO ME (Coleridge)
• SUSETTE (Coleridge)
• THE ALTERNATIVE (Coleridge)
• THE DAY-DREAM FROM AN EMIGRANT TO HIS ABSENT WIFE (Coleridge)
• THE EOLIAN HARP (Coleridge)
• THE EXCHANGE (Coleridge)
• THE GARDEN OF BOCCACCIO (Coleridge)
• THE HAPPY HUSBAND (Coleridge)
• THE HOUR WHEN WE SHALL MEET AGAIN (Coleridge)
• THE IMPROVISATORE OR, JOHN ANDERSON, MY JO, JOHN (Coleridge)
• THE KEEPSAKE (Coleridge)
• THE KISS (Coleridge)
• THE NIGHT-SCENE (Coleridge)
• THE OLD MAN OF THE ALPS (Coleridge)
• THE PICTURE OR THE LOVER’S RESOLUTION (Coleridge)
• THE POETASTER (Coleridge)
• THE ROSE (Coleridge)
• THE SECOND BIRTH (Coleridge)
• THE SIGH (Coleridge)
• THE THREE SORTS OF FRIENDS (Coleridge)
• THE WILLS OF THE WISP (Coleridge)
• TO ASRA (Coleridge)
• TO LESBIA (Coleridge)
• TO MARY PRIDHAM (Coleridge)
• TO THE EVENING STAR (Coleridge)
• TO THE NIGHTINGALE (Coleridge)
• TO THE REV. W. J. HORT WHILE TEACHING A YOUNG LADY SOME SONG-TUNES ON HIS FLUTE (Coleridge)
• TROCHAICS (Coleridge)
• UNDERWOODS (Coleridge)
• WATER BALLAD (Coleridge)
• WESTPHALIAN SONG (Coleridge)
• WITH FIELDING’S ‘AMELIA’ (Coleridge)
• A Tale of Two Cities (Dickens)
• Little Dorrit (Dickens)
• Our Mutual Friend (Dickens)
• The Battle of Life (Dickens)
• 1. Awake ye muses nine, sing me a strain divine (Dickinson)
• 1013. Too scanty ‘twas to die for you, (Dickinson)
• 1053. It was a quiet way — (Dickinson)
• 106. The Daisy follows soft the Sun — (Dickinson)
• 1072. Title divine — is mine! (Dickinson)
• 109. By a flower — By a letter — (Dickinson)
• 1132. The smouldering embers blush — (Dickinson)
• 1150. How many schemes may die (Dickinson)
• 1160. He is alive, this morning — (Dickinson)
• 1171. On the World you colored (Dickinson)
• 1187. Oh Shadow on the Grass, (Dickinson)
• 1189. The Voice that stands for Floods to me (Dickinson)
• 1219. Now I knew I lost her — (Dickinson)
• 1229. Because He loves Her (Dickinson)
• 1231. Somewhere upon the general Earth (Dickinson)
• 1237. My Heart ran so to thee (Dickinson)
• 1260. Because that you are going (Dickinson)
• 1290. The most pathetic thing I do (Dickinson)
• 1297. Go slow, my soul, to feed thyself (Dickinson)
• 1314. When a Lover is a Beggar (Dickinson)
• 1398. I have no Life but this — (Dickinson)
• 14. One Sister have I in our house, (Dickinson)
• 1410. I shall not murmur if at last (Dickinson)
• 1426. The pretty Rain from those sweet Eaves (Dickinson)
• 1438. Behold this little Bane — (Dickinson)
• 1440. The healed Heart shows its shallow scar (Dickinson)
• 1444. A little Snow was here and there (Dickinson)
• 1449. I thought the Train would never come — (Dickinson)
• 1476. His voice decrepit was with Joy — (Dickinson)
• 1496. All that I do (Dickinson)
• 1529. ‘Tis Seasons since the Dimpled War (Dickinson)
• 1542. Come show thy Durham Breast (Dickinson)
• 156. You love me — you are sure — (Dickinson)
• 1560. To be forgot by thee (Dickinson)
• 1568. To see her is a Picture — (Dickinson)
• 1597. ‘Tis not the swaying frame we miss, (Dickinson)
• 1604. We send the Wave to find the Wave — (Dickinson)
• 1632. So give me back to Death — (Dickinson)
• 1643. Extol thee — could I Then I will (Dickinson)
• 1664. I did not reach Thee (Dickinson)
• 1731. Love can do all but raise the Dead (Dickinson)
• 1739. Some say goodnight — at night — (Dickinson)
• 1743. The grave my little cottage is, (Dickinson)
• 1754. To lose thee — sweeter than to gain (Dickinson)
• 1756. ‘Twas here my summer paused (Dickinson)
• 1760. Elysium is as far as to (Dickinson)
• 1771. How fleet — how indiscreet an one — (Dickinson)
• 186. What shall I do — it whimpers so — (Dickinson)
• 190. He was weak, and I was strong — then — (Dickinson)
• 203. He forgot — and I — remembered — (Dickinson)
• 206. The Flower must not blame the Bee — (Dickinson)
• 207. Tho’ I get home how late — how late — (Dickinson)
• 208. The Rose did caper on her cheek — (Dickinson)
• 213. Did the Harebell loose her girdle (Dickinson)
• 222. When Katie walks, this simple pair accompany her side, (Dickinson)
• 223. I Came to buy a smile — today — (Dickinson)
• 224. I’ve nothing else — to bring, You know — (Dickinson)
• 227. Teach Him — When He makes the names — (Dickinson)
• 236. If He dissolve — then — there is nothing — more — (Dickinson)
• 26. It’s all I have to bring today — (Dickinson)
• 284. The Drop, that wrestles in the Sea — (Dickinson)
• 29. If those I loved were lost (Dickinson)
• 296. One Year ago — jots what (Dickinson)
• 299. Your Riches — taught me — Poverty (Dickinson)
• 300. Morning — means Milking — to the Farmer — (Dickinson)
• 303. The Soul selects her own Society — (Dickinson)
• 31. Summer for thee, grant I may be (Dickinson)
• 322. There came a Day at Summer’s full, (Dickinson)
• 336. The face I carry with me — last — (Dickinson)
• 368. How sick — to wait — in any place — but thine — (Dickinson)
• 387. The sweetest Heresy received (Dickinson)
• 39. It did not surprise me — (Dickinson)
• 400. A Tongue — to tell Him I am true! (Dickinson)
• 429. The Moon is distant from the Sea — (Dickinson)
• 438. Forget! The lady with the Amulet (Dickinson)
• 44. If she had been the Mistletoe (Dickinson)
• 440. ‘Tis customary as we part (Dickinson)
• 446. I showed her Heights she never saw — (Dickinson)
• 452. The Malay — took the Pearl — (Dickinson)
• 464. The power to be true to You, (Dickinson)
• 480. Why do I love You, Sir (Dickinson)
• 494. Going to Him! Happy letter! (Dickinson)
• 504. You know that Portrait in the Moon — (Dickinson)
• 506. He touched me, so I live to know (Dickinson)
• 511. If you were coming in the Fall, (Dickinson)
• 518. Her sweet Weight on my Heart a Night (Dickinson)
• 537. Me prove it now — Whoever doubt (Dickinson)
• 549. That I did always love (Dickinson)
• 568. We learned the Whole of Love — (Dickinson)
• 570. I could die — to know — (Dickinson)
• 573. The Test of Love — is Death — (Dickinson)
• 577. If I may have it, when it’s dead, (Dickinson)
• 580. I gave myself to Him — (Dickinson)
• 587. Empty my Heart, of Thee — (Dickinson)
• 611. I see thee better — in the Dark — (Dickinson)
• 625. ‘Twas a long Parting — but the time (Dickinson)
• 631. Ourselves were wed one summer — dear — (Dickinson)
• 635. I think the longest Hour of all (Dickinson)
• 636. The Way I read a Letter’s — this — (Dickinson)
• 638. To my small Hearth His fire came — (Dickinson)
• 640. I cannot live with You — (Dickinson)
• 643. I could suffice for Him, I knew — (Dickinson)
• 644. You left me — Sire — two Legacies — (Dickinson)
• 646. I think to Live — may be a Bliss (Dickinson)
• 648. Promise This — When You be Dying — (Dickinson)
• 655. Without this — there is nought — (Dickinson)
• 659. That first Day, when you praised Me, Sweet, (Dickinson)
• 663. Again — his voice is at the door — (Dickinson)
• 664. Of all the Souls that stand create — (Dickinson)
• 673. The Love a Life can show Below (Dickinson)
• 693. Shells from the Coast mistaking — (Dickinson)
• 697. I could bring You Jewels — had I a mind to — (Dickinson)
• 710. The Sunrise runs for Both — (Dickinson)
• 725. Where Thou art — that — is Home — (Dickinson)
• 727. Precious to Me — She still shall be — (Dickinson)
• 738. You said that I was Great — one Day — (Dickinson)
• 748. Autumn — overlooked my Knitting — (Dickinson)
• 752. So the Eyes accost — and sunder (Dickinson)
• 788. Joy to have merited the Pain — (Dickinson)
• 815. The Luxury to apprehend (Dickinson)
• 831. Dying! To be afraid of thee (Dickinson)
• 839. Always Mine! (Dickinson)
• 84. Her breast is fit for pearls, (Dickinson)
• 858. This Chasm, Sweet, upon my life (Dickinson)
• 869. Because the Bee may blameless hum (Dickinson)
• 881. I’ve none to tell me to but Thee (Dickinson)
• 907. Till Death — is narrow Loving — (Dickinson)
• 909. I make His Crescent fill or lack — (Dickinson)
• 960. As plan for Noon and plan for Night (Dickinson)
• 961. Wert Thou but ill — that I might show thee (Dickinson)
• 966. All forgot for recollecting (Dickinson)
• 973. ‘Twas awkward, but it fitted me — (Dickinson)
• A Lyric ‘If Time and Space, as Sages say’ (Eliot)
• A Dedication to my Wife (Eliot)
• Conversation Galante (Eliot)
• La Figlia Che Piange (Eliot)
• Nocturne (Eliot)
• P, Q, R (Eliot)
• Portrait of a Lady (Eliot)
• Song ‘If space and time, as sages say’ (Eliot)
• Song ‘The moonflower opens to the moth’ (Eliot)
• Song ‘When we came home across the hill’ (Eliot)
• THE ELDER STATESMAN (Eliot)
• A Party of Lovers (Keats)
• Acrostic (Keats)
• Bright star! would I were steadfast as thou art (Keats)
• Endymion - A Poetic Romance (Keats)
• IMITATION OF SPENSER (Keats)
• ISABELLA (Keats)
• Lines (Keats)
• Lines Supposed to Have Been Addressed to Fanny Brawne (Keats)
• Lines to Fanny (Keats)
• Modern Love (Keats)
• O! Were I one of the Olympian twelve (Keats)
• ODE ON A GRECIAN URN (Keats)
• Ode on Indolence (Keats)
• Ode to Fanny (Keats)
• ODE TO PSYCHE (Keats)
• Oh, I am frighten’d with most hateful thoughts! (Keats)
• Song of Four Faeries - Fire, Air, Earth, and Water - (Keats)
• Song Hush, hush! tread softly! hush, hush my dear! (Keats)
• Song I had a dove and the sweet dove died (Keats)
• Song The stranger lighted from his steed (Keats)
• Sonnet on a Picture of Leander (Keats)
• Sonnet to Fanny (Keats)
• Sonnet (Keats)
• Sonnet When I have fears that I may cease to be (Keats)
• Stanzas to Miss Wylie (Keats)
• The day is gone, and all its sweets are gone! (Keats)
• The Devon Maid (Keats)
• THE EVE OF ST. AGNES (Keats)
• TO (Keats)
• To G. A. W (Keats)
• To the Ladies who Saw Me Crown’d (Keats)
• To — (Keats)
• Translation from a Sonnet of Ronsard (Keats)
• You Say You Love (Keats)
• A Valentine (Poe)
• Al Aaraaf (Poe)
• An Enigma (Poe)
• Annabel Lee (Poe)
• Eleonora (Poe)
• For Annie (Poe)
• Lenore (Poe)
• O Marie Louise (shew) (Poe)
• Scenes From Politian (Poe)
• Song (Poe)
• Tamerlane (Poe)
• The Assignation (Poe)
• To — (Poe) (2)
• To — (Poe)
• To F— (Poe)
• To Frances S. Osgood (Poe)
• To Helen (Poe)
• To Helen (Poe) (2)
• To Isadore (Poe)
• To Marie Louise (shew) (Poe)
• To the River— (Poe)
• A MIDSUMMER NIGHT’S DREAM (Shakespeare)
• ALL’S WELL THAT ENDS WELL (Shakespeare)
• ANTONY AND CLEOPATRA (Shakespeare)
• AS YOU LIKE IT (Shakespeare)
• CARDENIO - A BRIEF ACCOUNT (Shakespeare)
• LOVE’S LABOUR’S LOST (Shakespeare)
• LOVE’S LABOUR’S WON - A BRIEF ACCOUNT (Shakespeare)
• MUCH ADO ABOUT NOTHING (Shakespeare)
• OTHELLO (Shakespeare)
• ROMEO AND JULIET (Shakespeare)
• Sonnet 10 (Shakespeare)
• Sonnet 102 (Shakespeare)
• Sonnet 109 (Shakespeare)
• Sonnet 110 (Shakespeare)
• Sonnet 112 (Shakespeare)
• Sonnet 113 (Shakespeare)
• Sonnet 115 (Shakespeare)
• Sonnet 116 (Shakespeare)
• Sonnet 118 (Shakespeare)
• Sonnet 119 (Shakespeare)
• Sonnet 124 (Shakespeare)
• Sonnet 128 (Shakespeare)
• Sonnet 13 (Shakespeare)
• Sonnet 130 (Shakespeare)
• Sonnet 131 (Shakespeare)
• Sonnet 138 (Shakespeare)
• Sonnet 143 (Shakespeare)
• Sonnet 145 (Shakespeare)
• Sonnet 153 (Shakespeare)
• Sonnet 154 (Shakespeare)
• Sonnet 20 (Shakespeare)
• Sonnet 21 (Shakespeare)
• Sonnet 22 (Shakespeare)
• Sonnet 23 (Shakespeare)
• Sonnet 24 (Shakespeare)
• Sonnet 25 (Shakespeare)
• Sonnet 26 (Shakespeare)
• Sonnet 27 (Shakespeare)
• Sonnet 28 (Shakespeare)
• Sonnet 29 (Shakespeare)
• Sonnet 31 (Shakespeare)
• Sonnet 32 (Shakespeare)
• Sonnet 33 (Shakespeare)
• Sonnet 34 (Shakespeare)
• Sonnet 35 (Shakespeare)
• Sonnet 36 (Shakespeare)
• Sonnet 37 (Shakespeare)
• Sonnet 38 (Shakespeare)
• Sonnet 39 (Shakespeare)
• Sonnet 40 (Shakespeare)
• Sonnet 42 (Shakespeare)
• Sonnet 43 (Shakespeare)
• Sonnet 44 (Shakespeare)
• Sonnet 45 (Shakespeare)
• Sonnet 46 (Shakespeare)
• Sonnet 47 (Shakespeare)
• Sonnet 48 (Shakespeare)
• Sonnet 51 (Shakespeare)
• Sonnet 52 (Shakespeare)
• Sonnet 53 (Shakespeare)
• Sonnet 56 (Shakespeare)
• Sonnet 61 (Shakespeare)
• Sonnet 71 (Shakespeare)
• Sonnet 72 (Shakespeare)
• Sonnet 75 (Shakespeare)
• Sonnet 76 (Shakespeare)
• Sonnet 87 (Shakespeare)
• Sonnet 88 (Shakespeare)
• Sonnet 89 (Shakespeare)
• Sonnet 90 (Shakespeare)
• Sonnet 91 (Shakespeare)
• Sonnet 92 (Shakespeare)
• THE MERCHANT OF VENICE (Shakespeare)
• THE TAMING OF THE SHREW (Shakespeare)
• THE TEMPEST (Shakespeare)
• THE TWO GENTLEMEN OF VERONA (Shakespeare)
• THE TWO NOBLE KINSMEN (Shakespeare)
• TWELFTH NIGHT (Shakespeare)
• VARIOUS POEMS (Shakespeare)
• A Glimpse (Whitman)
• A Promise to California (Whitman)
• Among the Multitude (Whitman)
• Are You the New Person Drawn Toward Me (Whitman)
• As If a Phantom Caress’d Me (Whitman)
• City of Orgies (Whitman)
• Fast Anchor’d Eternal O Love! (Whitman)
• From Pent-Up Aching Rivers (Whitman)
• I Hear It Was Charged Against Me (Whitman)
• I Heard You Solemn-Sweet Pipes of the Organ (Whitman)
• No Labor-Saving Machine (Whitman)
• Once I Pass’d Through a Populous City (Whitman)
• Out of the Cradle Endlessly Rocking (Whitman)
• Out of the Rolling Ocean the Crowd (Whitman)
• Recorders Ages Hence (Whitman)
• Roots and Leaves Themselves Alone (Whitman)
• Sometimes with One I Love (Whitman)
• The Base of All Metaphysics (Whitman)
• The Last Invocation (Whitman)
• The Mystic Trumpeter (Whitman)
• This Moment Yearning and Thoughtful (Whitman)
• To a Stranger (Whitman)
• To a Western Boy (Whitman)
• We Two Boys Together Clinging (Whitman)
• We Two, How Long We Were Fool’d (Whitman)
• What Think You I Take My Pen in Hand (Whitman)
• When I Heard at the Close of the Day (Whitman)
• When I Peruse the Conquer’d Fame (Whitman)
• Whoever You Are Holding Me Now in Hand (Whitman)
• The Duchess of Padua (Wilde)
• The Fisherman and his Soul (Wilde)
• The Model Millionaire (Wilde)
• The Nightingale and the Rose (Wilde)
• The Sphinx Without a Secret (Wilde)
• Vera, or The Nihilists (Wilde)
• A Duet (Conan Doyle)
• Beyond the City (Conan Doyle)
• The Great Shadow (Conan Doyle)
• Belinda (Belloc)
• The Romance of Tristan and Iseult (Belloc)
• Verses and Sonnets (Belloc)

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