Theme/Concept — appears in 173 work(s).
Works
- Northanger Abbey (Austen)
- arthur (Chesterton)
- child psychology (Chesterton)
- christmas-games (Chesterton)
- dickens Britannica (Chesterton)
- everlasting man (Chesterton)
- intro-love-and-freindship (Chesterton)
- kingcole (Chesterton)
- Magic (Chesterton)
- midsummer nights dream (Chesterton)
- Myths and Metaphors (Chesterton)
- nightmare (Chesterton)
- On Lying In Bed (Chesterton)
- penny-dreadfuls (Chesterton)
- Poet and Lunatics (Chesterton)
- queertrades (Chesterton)
- Robert Browning (Chesterton)
- Robert Louis Stevenson (Chesterton)
- secret Fr Brown (Chesterton)
- Spice Of Life (Chesterton)
- strange-city (Chesterton)
- The Defendant (Chesterton)
- Tremendous Trifles (Chesterton)
- Two Kinds of Paradox (Chesterton)
- VariedTypes (Chesterton)
- unborn (Chesterton)
- GKC-Autobiography (Chesterton)
- chalk (Chesterton)
- to-frances (Chesterton)
- A DAY-DREAM (Coleridge)
- A FRAGMENT FOUND IN A LECTURE-ROOM (Coleridge)
- AN INVOCATION (Coleridge)
- APOLOGETIC PREFACE TO ‘FIRE, FAMINE, AND SLAUGHTER’ (Coleridge)
- APOLOGIA PRO VITA SUA (Coleridge)
- CONSTANCY TO AN IDEAL OBJECT (Coleridge)
- DEJECTION AN ODE (Coleridge)
- EPIGRAM ON KEPLER (Coleridge)
- FANCY IN NUBIBUS OR THE POET IN THE CLOUDS (Coleridge)
- FAREWELL TO LOVE (Coleridge)
- FIRST DRAFT AN EFFUSION AT EVENING (Coleridge)
- FIRST DRAFTS, EARLY VERSIONS, ETC. (Coleridge)
- KUBLA KHAN (Coleridge)
- LINES IN THE MANNER OF SPENSER (Coleridge)
- LINES ON AN AUTUMNAL EVENING (Coleridge)
- PHANTOM (Coleridge)
- PROSE VERSIONS OF POEMS, ETC. (Coleridge)
- SCHILLER DER EPISCHE HEXAMETER (Coleridge)
- SIR JOHN DAVIES ON THE IMMORTALITY OF THE SOUL (Coleridge)
- SONGS OF THE PIXIES (Coleridge)
- SONNET TO THE AUTUMNAL MOON (Coleridge)
- THE BLOSSOMING OF THE SOLITARY DATE-TREE (Coleridge)
- THE DESTINY OF NATIONS A VISION (Coleridge)
- THE EOLIAN HARP (Coleridge)
- THE GARDEN OF BOCCACCIO (Coleridge)
- THE PANG MORE SHARP THAN ALL AN ALLEGORY (Coleridge)
- THE PICTURE OR THE LOVER’S RESOLUTION (Coleridge)
- THE REPROOF AND REPLY (Coleridge)
- THE VISIT OF THE GODS IMITATED FROM SCHILLER (Coleridge)
- THIS LIME-TREE BOWER MY PRISON (Coleridge)
- TIME, REAL AND IMAGINARY (Coleridge)
- TO MATILDA BETHAM FROM A STRANGER (Coleridge)
- TO THE MUSE (Coleridge)
- TO THE REV. GEORGE COLERIDGE (Coleridge)
- TO THE REV. W. L. BOWLES (Coleridge)
- TO THE YOUNG ARTIST KAYSER OF KASERWERTH (Coleridge)
- TO WILLIAM WORDSWORTH COMPOSED ON THE NIGHT AFTER HIS RECITATION OF A POEM ON THE GROWTH OF AN INDIVIDUAL MIND
- WITH FIELDING’S ‘AMELIA’ (Coleridge)
- Hard Times (Dickens)
- 1071. Perception of an object costs (Dickinson)
- 1126. Shall I take thee, the Poet said (Dickinson)
- 1198. A soft Sea washed around the House (Dickinson)
- 1223. Who goes to dine must take his Feast (Dickinson)
- 1247. To pile like Thunder to its close (Dickinson)
- 1263. There is no Frigate like a Book (Dickinson)
- 1302. I think that the Root of the Wind is Water — (Dickinson)
- 1392. Hope is a strange invention — (Dickinson)
- 1446. His Mind like Fabrics of the East (Dickinson)
- 1452. Your thoughts don’t have words every day (Dickinson)
- 1481. The way Hope builds his House (Dickinson)
- 152. The Sun kept stooping — stooping — low! (Dickinson)
- 1585. The Bird her punctual music brings (Dickinson)
- 1634. Talk not to me of Summer Trees (Dickinson)
- 188. Make me a picture of the sun — (Dickinson)
- 204. A slash of Blue — (Dickinson)
- 219. She sweeps with many-colored Brooms — (Dickinson)
- 298. Alone, I cannot be — (Dickinson)
- 307. The One who could repeat the Summer day — (Dickinson)
- 308. I send Two Sunsets — (Dickinson)
- 326. I cannot dance upon my Toes — (Dickinson)
- 327. Before I got my eye put out (Dickinson)
- 352. Perhaps I asked too large — (Dickinson)
- 370. Heaven is so far of the Mind (Dickinson)
- 374. I went to Heaven — (Dickinson)
- 383. Exhilaration — is within — (Dickinson)
- 416. A Murmur in the Trees — to note — (Dickinson)
- 421. A Charm invests a face (Dickinson)
- 436. The Wind — tapped like a tired Man — (Dickinson)
- 439. Undue Significance a starving man attaches (Dickinson)
- 448. This was a Poet — It is That (Dickinson)
- 500. Within my Garden, rides a Bird (Dickinson)
- 505. I would not paint — a picture — (Dickinson)
- 526. To hear an Oriole sing (Dickinson)
- 562. Conjecturing a Climate (Dickinson)
- 569. I reckon — when I count it all — (Dickinson)
- 581. I found the words to every thought (Dickinson)
- 582. Inconceivably solemn! (Dickinson)
- 585. I like to see it lap the Miles — (Dickinson)
- 593. I think I was enchanted (Dickinson)
- 595. Like Mighty Foot Lights — burned the Red (Dickinson)
- 602. Of Brussels — it was not — (Dickinson)
- 604. Unto my Books — so good to turn — (Dickinson)
- 605. The Spider holds a Silver Ball (Dickinson)
- 606. The Trees like Tassels — hit — and swung — (Dickinson)
- 613. They shut me up in Prose — (Dickinson)
- 628. They called me to the Window, for (Dickinson)
- 632. The Brain — is wider than the Sky — (Dickinson)
- 646. I think to Live — may be a Bliss (Dickinson)
- 657. I dwell in Possibility — (Dickinson)
- 711. Strong Draughts of Their Refreshing Minds (Dickinson)
- 733. The Spirit is the Conscious Ear. (Dickinson)
- 736. Have any like Myself (Dickinson)
- 737. The Moon was but a Chin of Gold (Dickinson)
- 741. Drama’s Vitallest Expression is the Common Day (Dickinson)
- 855. To own the Art within the Soul (Dickinson)
- La Figlia Che Piange (Eliot)
- A Draught of Sunshine (Keats)
- Acrostic (Keats)
- Epistle to John Hamilton Reynolds (Keats)
- FANCY (Keats)
- I STOOD TIP-TOE UPON A LITTLE HILL (Keats)
- Lamia (Keats)
- ODE TO A NIGHTINGALE (Keats)
- ODE TO PSYCHE (Keats)
- ON LEAVING SOME FRIENDS AT AN EARLY HOUR (Keats)
- ON RECEIVING A CURIOUS SHELL, AND A COPY OF VERSES, FROM THE SAME LADIES (Keats)
- SLEEP AND POETRY (Keats)
- Sonnet on Leigh Hunt’s Poem ‘The Story of Rimini’ (Keats)
- Sonnet on Sitting Down to Read King Lear Once Again (Keats)
- Sonnet on the Sonnet (Keats)
- Sonnet to Spenser (Keats)
- Sonnet to the Nile (Keats)
- Sonnet Written in Answer to a Sonnet Ending thus (Keats)
- Sonnet Oh! how I love, on a fair summer’s eve (Keats)
- Sonnet This pleasant tale is like a little copse (Keats)
- The Castle Builder - Fragments of a Dialogue (Keats)
- The Fall of Hyperion (Keats)
- The Poet - A Fragment (Keats)
- TO MY BROTHER GEORGE (Keats)
- WRITTEN ON THE DAY THAT MR. LEIGH HUNT LEFT PRISON (Keats)
- A Valentine (Poe)
- Al Aaraaf (Poe)
- Alone (Poe)
- Dreams (Poe)
- Fairy-Land (Poe)
- Imitation (Poe)
- In Youth I Have Known One (Poe)
- Israfel (Poe)
- Landor’s Cottage (Poe)
- Mellonta Tauta (Poe)
- O Marie Louise (shew) (Poe)
- Philosophy of Furniture (Poe)
- Romance (Poe)
- Sonnet-To Science (Poe)
- The Island of the Fay (Poe)
- The Lake — To— (Poe)
- The Landscape Garden (Poe)
- The Murders in the Rue Morgue (Poe)
- A MIDSUMMER NIGHT’S DREAM (Shakespeare)
- Sonnet 24 (Shakespeare)
- Sonnet 38 (Shakespeare)
- THE TEMPEST (Shakespeare)
- A Font of Type (Whitman)
- My Picture-Gallery (Whitman)
- The Critic as Artist (Wilde)
- The Decay of Lying (Wilde)
- The Truth of Masks (Wilde)
- The Lost Tools of Learning (Sayers)
- The Mind of the Maker (Sayers)
- Through the Magic Door (Conan Doyle)
- On Anything (Belloc)